Preamplifier power supply


Hi folks, should a preamplifier have a BIG (that is: an overkill power supply) to sound dynamic and authoritative? I'm asking this because some experts would say "yes" while others would say "no". Recently a well known audio journalist (Anthony Cordesmann?) said that the preamplifier doesn't have to have a big power supply because it doesn't have to deliver lots of energy (in the form of current). A preamplifier can sound "dynamic" even with very modest power supply --> for example the built in preamplifier in the Benchmark DAC. But some manufacturers rely on a truly overkill power supply in their reference preamplifiers: MBL, First Sound Audio, BAT, VTL, LAMM, Mark Levinson. So who is right?

Chris
dazzdax
Could someone please simplify this discussion for me back to the basics? To quote Jeremy Irons in Margin Call, "speak to me as though I were a young child...or a golden retriever."

Why is a separate power supply necessary at all? In the last hi-fi system I had (Mac C22, MC275, Marantz 10B), the wall plug in the NYC apartment I had at the time seemed to be a pretty good power supply. I'm now getting back into hi-fi and recently acquired a Levinson 25S phono preamp with a separate PLS 226 power supply. I haven't yet used it since I'm still in the process of acquiring the other necessary stuff (signal source, preamp etc.)

I gather that the 25S (or 26S preamp) wouldn't be of much use if it could be plugged directly into a wall socket. Why, in very simple terms, is that?

thanks! 

The whole idea of a power supply in audio electronics is to convert the alternating current (A/C) from the wall to direct current (DC).  DC current is required for anything regarding audio (it just cannot run from straight A/C like some motors can).

The reasoning behind creating a separate power supply will vary depending on manufacturer.  In a nutshell, a separate power supply will shield the core audio circuits from the electromagnetic noise caused by the transformer in the power supply.  Generally it is not really a problem, but it can cause a slight buzz in the audio if the transformer is too close.  The second reason could be that the manufacturer just did not have the room to build in the power supply they wanted within the size of the preamp chassis.  A good example of this is the Krell 202 preamp:

http://www.hifishock.org/gallery/electronics/krell/preamplifier/

You can see from the pictures that the power supply is enormous with two large transformers and a lot of transistor heatsinks for their shunt regulated DC power supply.

The alternating current AC from the wall comes in waves that run at 60 hz (about 60 waves per second) where half the time the voltage is "pushing" and the other half it is "pulling".  DC requires a 100% constant "push" in voltage that is one direction only.  The power supply tries to "leak" the current pressure from the AC and also store as much voltage in the power supply capacitors so that it can continue to provide a 100% DC current even when the AC is not pushing current at all (which is between the waves).

The size of the power supply can also dictate how good of a sound quality you get.  With regards to extremely large power supplies, it can help further smooth out the sound.  My research and experimentation has shown that conventional circuits and op amps do not really require a huge power supply.  However, when you start using Class A type audio circuits, then the power supply size becomes hugely important.  The Class A circuits require a large amount of constant current and you can actually reduce the sound quality by providing a "too small" power supply.  You are actually starving the audio circuit and the end result could be things such as a thin/bright/harsh type of sound.  A prime example of this is the older Krell KAV-280p preamp.  This is also similar to the Krell Phantom III preamp.  They both have such a small power supply with limited capacitance (4 x 3300uf in the 280p) that the sound is bright/thin.  I found that doubling that to 4 x 6800uf significantly changed the sound and it was no longer bright/thin - had a tremendous amount of bass and midbass strength.  When you get into the larger Krell preamps, such as Phanton II or Phanton I, you will get the larger power supplies for very similar audio circuits.

Power supplies should be very robust. They should provide an unshakable foundation for absolute control of the signal to the amp, plus a high degree of resistance to perturbations created anywhere in the system, including from the amp(s).  No one can deny one has more control with an ‘oversize’ power supply. Just like driving a car with a standard transmission and more than adequate torque provides more refined control of the drive. 
Of course, all those who have never experienced the control power gives can never ‘get’ it. However, once experienced never forgotten. The unfortunate aspect of these forums is that most contributors simply don’t have access, have never experienced, reference grade components. So their comments are only correct and of value to those who have similar limited performance units. Nothing new here. (But today I find it annoying that shills and charletans make great “to do’s” about the utterly minutes differences between red black or blue wall plugs. As if they have power supplies and systems that can identify the virtually, no, non- existent differences. Crass purveyors and promoters of these ridiculous cash grabs should post some technical support for their fanciful, or should I say, Fantasy claims. Off topic, but, after all, this is just a forum :)

Anthony Cordesman is a classy audiophile gentleman who I've had the pleasure of listening with as he used and reviewed my products many moons ago. A shout out to Anthony!

Now about transformers. My answer would be somewhat different than those who go with bigger is better only. Innovation in audio is being advanced at a more progressive pace over the last 15 or so years and I see and hear design improvements leaning toward smaller transformers.

I look at transformers the same way I look at speaker crossovers, more and bigger parts is usually a result of something not working up to par somewhere in the chain.

Michael Green

http://www.michaelgreenaudio.net/