I love both mags. Definitely preferred Stereophile while R Harley was there. I think he’s doing great at AS. Still I miss his measurements and, at the same time, how AS fit in my pocket.
Yup, Sensible Sound was my fave, poor folks bible .Only mag I really trust as a buyers guide is Stereo out of Germany . Art Dudley is a gifted writer if nothing else .
I dropped my TAS subscription once I concluded the writers were just plain annoying. The “reviews” read more like advertisements. Every single issue contains the word “venerable.” And JV is just full of himself, with his use of random phrases in some non-English language (which he knows means nothing to anyone but himself).
Now reviewers are like sales people for mega buck equipment that is as much as a car... and some even a house!
There is a huge market for 'budget audiophiles' .... where are those reviewers?
What happened to a reviewer having a stable system that said reviewer compares new equipment back too? I get tired of reading something sounds 'good'... what does that mean?
And the videos on utub (spelling intentional) all sounds just like my computer speakers!
I miss the days of having Audiophile stereo stores locally....
you wrote "...JH (Julian Hirsch) while giving quite decent reviews on speakers - not so much on electronics. For some reason, he had a strong view that all amps, pre-amps, etc. regardless of price, circuit design, or quality, sounded the same and (in general) the only discernible difference, from any one to another, was power output and features."
He must have been a proponent of Peter Azcel and The Audio Critic.
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