Ohm Walsh Micro Talls: who's actually heard 'em?

Mapman, it is rare that I disagree with you, but on this I must. My MWT's are, by far, the best 'heavy music' speakers I've ever owned.

Specifically, Porcupine Tree's musit 'hits' me at an emotional level I hadn't experienced before. When my wife askes why I seem to always listen to PT, my answer is that the Ohm's seem to have been made for that music in paricular. Especially on the keyboard and guitar work, they plain kick-but.

I guess I will have to revisit PT CDs when the 2000s are fully broken in.

I removed the Vandy subs from the signal path to run the 2000s full range for a while. A brief listen to the Stereophile Test CD #2 was revealing. I was surprised by the low and mid bass extension and definition, clearly strong output to well below 40Hz, as demonstrated with the bass solo track, the organ piece, and the Corey Greenberg composition.

The phase test was also interesting. When the out-of-phase voice and instrument were in the right channel (along which I have a straight wall), the sound clearly came from way behind me to my right, over my shoulder. In the left channel, however, where the room opens up before the listening position, it still sounded "phase-y", but did not come from behind me.

Although the 2000s seem to do bass very well, they actually affirmed my impression of the Vandy subwoofers. The sonic character of the bass did not seem any different, except for a little less feel-it-in-your-gut sensation. This speaks well of both the Ohm 2000s and the Vandy 2Wq.

A co-worker that I am converting to an audiophile is stopping by tonight with some of his favorite recordings for a little listening and comparison between the Vandersteen 1Cs and Ohm Walh 2000s. Should be fun!

Parasound,

Don't get me wrong, the OHM Walshes do very well with heavy rock music. I'm just saying they are inherently laid back. ALong with that, they do not induce fatigue while listening which makes for very good extended listening sessions.

I'm just saying that I have heard PT's FOABP in particular on my OHM Ls in the same room. Ls are forward firing 3-way bookshelf designs and way more forward sounding at most all frequencies than Walshs. They also are clearly inferior with most kinds of music. But for that album, there was something different and likable there. Not necessarily even better, just different and likable.

Ah, got it, Mapman. I still think that by 'laid back', you're referring to accuracy. I could be mistaken :P

Bondman, I'm really interested with your take on PT with your 2000's. I'm also very interested in the Vandy subs you have- I believe they run parallel to the mains. Eventually I'll be investing in a quality sub, although no time soon.

Para,

Accuracy may be part of it, but I don't think it is the whole story.

When I saw PT live a year or so back in a moderately small club venue, the sound was very loud, very clean and very in your face, the loudest concert I've been to where my ears did not hurt after wards.

I think Bondman hit it well when he described the effect of adding the sub as supplementing the "feel-it-in-your-gut" sensation.

I also suspect that moving up to a really big, juicy monster amp (250w/ch or more, doubling into 4 and 2 ohm) with the OHMs alone would have similar effect based on some accounts I have read on the web.