Ohm Walsh Micro Talls: who's actually heard 'em?

I'm very interested in hearing people's impressions of the new and improved 1000's series drivers versus the older series 3 drivers that I have in both pair of OHM Walshes and were used in MWTs from the outset, I believe.

Having not heard the latest drivers, its difficult for me to provide reliable feedback on those based on prior versions in that one cannot assume what is similar, different or improved sound-wise.

Joe-
I've always found I got MORE bass with vinyl, esp. the newer, remastered stuff. I actually gave up on cd's and sold my Rega Apollo (everything sounded lifeless on that thing). I'm not sure why- maybe my phono amp is the wildcard (although, it's nothing special- Jolida). Either way, my stereo is basically all analog for me (I have a Yamaha cd recorder to copy albums- I can play cd's if I really wanted, but it sounds similar to the Rega). I'm not giving up yet, but I don't want to go back to a sub- at least, not where I currently live (no room for one).

There is quantity of bass and quality of bass. Amps with higher damping factors tend to work well with the larger OHMs at least I believe. When I was amp hunting, I only considered amps with damping factors > 50. My old Carver was lower and had flat bass particularly at lower levels. The damping factor spec on the amps I'm running now is >1000 according to Bel Canto's specs. And let me tell you, the bass is by far the cleanest and most fulfilling I have heard on OHMs, though when I first hooked the Bel Cantos up, the bass sounded quite lean compared to prior.

My Odyssey Stratos HT3 is rated at >500 continuous damping factor. While run full range the 2000s sounded great, my beloved Vandy 2Wq subs (a pair of them) naturally put more extended, more powerful bass into the room than the Ohms alone. I think the combo of the 2Wqs and the Walsh 2000s is fantastic (although any good speaker that extends to 40Hz will work well with the Vandy subs).

As for the bass on vinyl, IMO, it can be quite deep and full. True, vinyl has physical limitations, but that is what RIAA EQ (and other EQ) circuits are for. Well-recorded vinyl through the MM phono section on my Connie-J PV-11 preamp does not lack bass. Much rock on vinyl is no better mixed and mastered than rock is on CD. Garbage-in, garbage-out, as they say.

For those of you following my Walsh 2000 saga, I am hoping to order the spike cradle bases from Sound Anchors soon.

Bondmanp,

You might consider some simple home grown solutions in order to get the OHMs to sit squarer. Anything that helps to stabilize them can only help the sound. How about some $5.00 felt pads from Home Depot underneath to square things up (similar to squaring up a table or chair)?

Folded up pieces of paper or newspaper should even work if hidden and not too unsightly.