The Truth about Modern Class D


All my amps right now are Class D. ICEpower in the living room, and NAD D 3020 in the bedroom.

I’ve had several audiophiles come to my home and not one has ever said "Oh, that sounds like Class D."

Having said this, if I could afford them AND had the room, I’d be tempted to switch for a pair of Ayre monoblocks or Conrad Johnson Premiere 12s and very little else.

I’m not religious about Class D. They sound great for me, low power, easy to hide, but if a lot of cash and the need to upgrade ever hits me, I could be persuaded.

The point: Good modern Class D amps just sound like really good amplifiers, with the usual speaker/source matching issues.

You don’t have to go that route, but it’s time we shrugged off the myths and descriptions of Class D that come right out of the 1980’s.
erik_squires
Post removed 
The truth is class D is totally mediocre.If you think its great jump on an amp ASAP!!!!
 Report this
@ebm 

Blanket statements like this, without qualifying them with your experience, and speakers used are entirely unhelpful. Want to fill this in with what you find not-mediocre, and what Class D you have heard? 

Best,

E
I agree with Adam8179 write up. Are my PS Audio Stellar class D's the best amp there is? No. Are the Class A/B's better sounding? Maybe.
Do the PS Audio's sound really good to me and also are in my price range?  YES. All that matters to me. 
Not to steer this off topic, but no system can produce a convincing life-like sound, partly because the recording equipment cannot capture it.
I've seen systems belie this statement. In particular, a direct microphone feed driving headphones can fool many audiophiles with great ease. I advise actually working with good mics and recording gear and see if you still say this.
I agree with @erik_squires, you can’t make blanket statements that class D is “totally mediocre”. Have you heard Mola Mola Kaluga’s for example? We know somebody who moved over from the much regarded Soulution 710 to Mola Mola  Kaluga's. The MM’s cost one fifth of the price and they drove his speakers effortlessly. Lansche and Manger among others choose to use MM amplification  at the Munich High End Show. Not without reason.