I thought I'd weigh in, since I've had a pair of Ohm 5000's for about 6 mo now. Originally, I had looked at electrostatics (Martin Logans) but they were more expensive and I was intrigued that Walsh drivers were still made, having last heard them ca 1977. Also, the fact that the company would offer upgrade kits to speakers made over 30 years ago sold me on them as having a quality product and outstanding customer service. I chose my 5000's in Bubinga wood and John was very nice in not charging me extra for the exotic product. He even sent me several samples to choose from to help me make up my mind. The speakers came triple boxed and of course unscathed. The construction is great, no scratches or flaws. They are well broken in now and sound fantastic! I find that the audio sources and the recordings themselves are the most important factors in enjoyment of the speakers. Hooking up my iPod is great for background music if I'm having a party, but no way would I sit down and listen for pleasure with that.
Ok, so what's my setup? I started with a tube preamplifier of unusual design, probably the first in the states to own a Ming Da MD300 APS (sourced through Pacific Valve & Electric). The initial stage uses 6SN7's, and I use VT-231's from WWII. The final stage is 300B's, and I have Gold Lions from Genalex (Russian). This can be a bit microphonic so I installed tube dampers to help quiet them. The sound stage is amazing when using this with the 5000's, really makes one feel you are AT the concert and you can place the instruments easily. This preamp comes very, very close to a SET sound, which is what i was looking for. I paired the preamplifier with a Sumo Polaris II that's about 20 years old. At 6 ohms it puts out 170W per channel and I've never even begun to think I'm underpowered. So for me tube/SS has worked out well, getting the SET sound I wanted without having to go for a super efficient horn speaker like a Klipsch.
My speaker wire is an old Monster Cable product which is no longer made- it's braided from 8 cables in a Litzendraht design that results in very low capacitance.
I bought a Sansui TU-919 from eBay for my tuner, and I'm very pleased
with it. I originally used a HD radio from Sony but decided on an analog unit from the late '70s.
Nothing special for the CD, except it's an Onkyo C-S5VL that comes with a very good Wolfson DAC and plays SACD. I don't fiddle with the different digital audio filters, just use the factory settings. Some SACD's are scary good- Pink Floyd DSOTM and Who's Tommy come to mind. The bass response is great on these SACD's, but it's also impressive on CD's, like Zappa's Inca Roads.
Vinyl (Pro-Ject 5.1) can be fantastic, like the Blind Faith I picked up for $5, but sometimes recordings sound quite bright. Haven't figured that one out yet.
It's nice at the age of 58, four kids out of the house, to get back to my musical roots and have an old school setup to showcase the Ohm 5000.
James
Ok, so what's my setup? I started with a tube preamplifier of unusual design, probably the first in the states to own a Ming Da MD300 APS (sourced through Pacific Valve & Electric). The initial stage uses 6SN7's, and I use VT-231's from WWII. The final stage is 300B's, and I have Gold Lions from Genalex (Russian). This can be a bit microphonic so I installed tube dampers to help quiet them. The sound stage is amazing when using this with the 5000's, really makes one feel you are AT the concert and you can place the instruments easily. This preamp comes very, very close to a SET sound, which is what i was looking for. I paired the preamplifier with a Sumo Polaris II that's about 20 years old. At 6 ohms it puts out 170W per channel and I've never even begun to think I'm underpowered. So for me tube/SS has worked out well, getting the SET sound I wanted without having to go for a super efficient horn speaker like a Klipsch.
My speaker wire is an old Monster Cable product which is no longer made- it's braided from 8 cables in a Litzendraht design that results in very low capacitance.
I bought a Sansui TU-919 from eBay for my tuner, and I'm very pleased
with it. I originally used a HD radio from Sony but decided on an analog unit from the late '70s.
Nothing special for the CD, except it's an Onkyo C-S5VL that comes with a very good Wolfson DAC and plays SACD. I don't fiddle with the different digital audio filters, just use the factory settings. Some SACD's are scary good- Pink Floyd DSOTM and Who's Tommy come to mind. The bass response is great on these SACD's, but it's also impressive on CD's, like Zappa's Inca Roads.
Vinyl (Pro-Ject 5.1) can be fantastic, like the Blind Faith I picked up for $5, but sometimes recordings sound quite bright. Haven't figured that one out yet.
It's nice at the age of 58, four kids out of the house, to get back to my musical roots and have an old school setup to showcase the Ohm 5000.
James