Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
"An issue I still can't get past is that from album to album, artist to artist, the volume of bass will vary hugely. "

That's inherent largely in recordings.

Each recording usually requires unique processing in order to get all to sound a certain way. There is no single or easy solution. Pursuit of this will likely be time consuming at a minimum and fruitless at worst. Recordings are what they are, not what people might want them to be.

I shoot to avoid too much, fat or inarticulate bass with any recordings, even the most bass heavy ones. THen the rest will fall in line as best possible and usually quite well from there bass-wise. A sub can help but can also be quite hard sometimes to blend in by ear. Patience and good ears are needed!
I suspect some of the most frustrated audiophiles that can't get off the merry go round out there are those that are bass focused and have unrealistic expectations of their recordings to all sound exactly the way they would like.
That actually makes me feel better to know I'm not having a problem with the equipment and also that I'm not insane. Fortunately I like just a touch of bass so I can keep the settings toned down the majority of the time.
I good "training" exercise is to go to a local high end audio dealer that you might be interested in doing business with and ask to listen to a variety of recordings on their biggest best system. That can help give you a frame of reference for what different recordings really sound like and what can be expected.

Many never achieve the goal of having realistic expectations in regards to how specific recordings actually sound. Most all recordings are different and inherently sound different, although over the long term with experience you might be able to put them into some general categories that work in regards to how different types of recordings sound in general.

Expectations that are not realistic will doom anyone every time.

One thing I can say with confidence, is that when set up well and with the right gear behind them driving, the OHMs themselves should never be the bottleneck in regards to getting the best possible bass in all cases. They can take almost anything you throw at them to a greater extent than most any other speaker in their price range I am familiar with.