Best Loudspeakers for Rich Timbre?


I realise that the music industry seems to care less and less about timbre, see
https://youtu.be/oVME_l4IwII

But for me, without timbre music reproduction can be compared to food which lacks flavour or a modern movie with washed out colours. Occasionally interesting, but rarely engaging.

So my question is, what are your loudspeaker candidates if you are looking for a 'Technicolor' sound?

I know many use tube amps solely for this aim, but perhaps they are a subject deserving an entirely separate discussion.
cd318
prof  I have a pair of Legacy Focus (originals) in the main listening room and a pair of their Signature IIIs in the living room.  

I have managed to achieve a wide sweet spot only recently.  I aim my speakers so that I can just see the inside sides from the center seat 13 feet away.  Then I use two pair of Shakti Hallographs and 32 SR HFTs mostly on the walls (none on the face of the speakers though-doesn't work for me).   My room is larger at 25' X 23'.  I couldn't imagine the speakers at a 45/45 angle towards me.  

The sound within four feet to the left and right of center now does not have a pronounced sound from the closest speaker on that side.  I find that a very happy situation as just two years ago, there was a severe drop off of sound from the further speaker toward the 5' edges away from the center spot.   

I've heard several Audio Physic speakers and that's something they're great at, disappearing from the room and creating a wide listening area.  Many small monitors can do that too but are destined for smaller rooms.  My former 5 pairs of high end (at the time) electrostats were not good for wide listening areas.  They beamed the sound towards the center spot (heard the same from Sanders speakers-really narrow listening area).  

Among the best disappearing speakers are omnidirectional speakers.  Recently, I auditioned the Carver Amazing speakers which excelled in the mids and highs sending sound evenly throughout the large room (as well as incredible stable imaging). 
prof  I have a pair of Legacy Focus (originals) in the main listening room and a pair of their Signature IIIs in the living room.  

I have managed to achieve a wide sweet spot only recently.  I aim my speakers so that I can just see the inside sides from the center seat 13 feet away.  Then I use two pair of Shakti Hallographs and 32 SR HFTs mostly on the walls (none on the face of the speakers though-doesn't work for me).   My room is larger at 25' X 23'.  I couldn't imagine the speakers at a 45/45 angle towards me.  

The sound within four feet to the left and right of center now does not have a pronounced sound from the closest speaker on that side.  I find that a very happy situation as just two years ago, there was a severe drop off of sound from the further speaker toward the 5' edges away from the center spot.   

I've heard several Audio Physic speakers and that's something they're great at, disappearing from the room and creating a wide listening area.  Many small monitors can do that too but are destined for smaller rooms.  My former 5 pairs of high end (at the time) electrostats were not good for wide listening areas.  They beamed the sound towards the center spot (heard the same from Sanders speakers-really narrow listening area).  

Among the best disappearing speakers are omnidirectional speakers.  Recently, I auditioned the Carver Amazing speakers which excelled in the mids and highs sending sound evenly throughout the large room (as well as incredible stable imaging). 
prof  I have a pair of Legacy Focus (originals) in the main listening room and a pair of their Signature IIIs in the living room.  

I have managed to achieve a wide sweet spot only recently.  I aim my speakers so that I can just see the inside sides from the center seat 13 feet away.  Then I use two pair of Shakti Hallographs and 32 SR HFTs mostly on the walls (none on the face of the speakers though-doesn't work for me).   My room is larger at 25' X 23'.  I couldn't imagine the speakers at a 45/45 angle towards me.  

The sound within four feet to the left and right of center now does not have a pronounced sound from the closest speaker on that side.  I find that a very happy situation as just two years ago, there was a severe drop off of sound from the further speaker toward the 5' edges away from the center spot.   

I've heard several Audio Physic speakers and that's something they're great at, disappearing from the room and creating a wide listening area.  Many small monitors can do that too but are destined for smaller rooms.  My former 5 pairs of high end (at the time) electrostats were not good for wide listening areas.  They beamed the sound towards the center spot (heard the same from Sanders speakers-really narrow listening area).  

Among the best disappearing speakers are omnidirectional speakers.  Recently, I auditioned the Carver Amazing speakers which excelled in the mids and highs sending sound evenly throughout the large room (as well as incredible stable imaging). 
prof  I have a pair of Legacy Focus (originals) in the main listening room and a pair of their Signature IIIs in the living room.  

I have managed to achieve a wide sweet spot only recently.  I aim my speakers so that I can just see the inside sides from the center seat 13 feet away.  Then I use two pair of Shakti Hallographs and 32 SR HFTs mostly on the walls (none on the face of the speakers though-doesn't work for me).   My room is larger at 25' X 23'.  I couldn't imagine the speakers at a 45/45 angle towards me.  

The sound within four feet to the left and right of center now does not have a pronounced sound from the closest speaker on that side.  I find that a very happy situation as just two years ago, there was a severe drop off of sound from the further speaker toward the 5' edges away from the center spot.   

I've heard several Audio Physic speakers and that's something they're great at, disappearing from the room and creating a wide listening area.  Many small monitors can do that too but are destined for smaller rooms.  My former 5 pairs of high end (at the time) electrostats were not good for wide listening areas.  They beamed the sound towards the center spot (heard the same from Sanders speakers-really narrow listening area).  

Among the best disappearing speakers are omnidirectional speakers.  Recently, I auditioned the Carver Amazing speakers which excelled in the mids and highs sending sound evenly throughout the large room (as well as incredible stable imaging). 

@fleschler  wrote:  "I couldn't imagine the speakers at a 45/45 angle towards me."

I can understand that that's just too much visual weirdness for some people.

The first photo in this show report is taken from well off to one side of the centerline.  As you will see, in that location you are well off-axis of the near speaker but nearly on-axis of the far speaker. 

https://parttimeaudiophile.com/2015/10/22/rmaf-2015-audiokinesis-violates-space-and-time/

Unfortunately the write-up doesn't mention the sweet spot width.  But it does talk about soundstage size, in case your first instinct is that the soundstage would be compressed. 

"Among the best disappearing speakers are omnidirectional speakers."

I agree.  With omnis, the near speaker still "wins" both arrival time and intensity, though it doesn't win the latter by as large a margin as with conventional speaker.  So I think there is an argument for the approach I described even compared with omnis because with my approach the far speaker is the one that "wins" intensity. 

But you'd have to get past the weirdness, and that may be asking too much. 

Duke