Klipsch Forte III--Pleasantly Surprised


First off, I have to say that I always had significant bias against Klipsch speakers. I thought maybe some of the Heritage Series were possibly decent, but in no way audiophile grade.

I recently bought a pair of Forte’s in distressed white oak. They look super vintage and the grills are very tasteful. My impetus for the purchase was I moved to a house this past spring that has a dedicated music room for me, and I wanted to experiment seeking a bigger sound as the room is large (25 long x 15 wide x 10 foot high ceilings). My system is the following:

Winter: Primaluna Dialgoue HP Premium Integrated,
Summer: Schitt Freya, NAD M51
Constant Year Long: Bluesound Node 2, NAD M22 DAC, Manley Chinook Phono Pre, Technics 1200 GAE Turntable, AudioTechnica ART9 Cartridge.

I’m really enjoying the Forte IIIs out of the boxes. I haven’t even tried them out with with tube amps (only tube pre) yet. I thought they would be fatiguing and have tons of bass. The treble spectrum (midrange northbound) is sweet and doesn’t sound cupped. The bass is perfectly integrated but not as prominent as I’d expected. The soundstage is seamless and they are not fussy about positioning.

The other thing that surprised me was how much of the NAD M22 juice I can use. I thought that I’d never move volume much due to the whopping power of the NAD M22--not true. So this is making me curious--what will happen when I hook up my 300B tube integrated? I think it has 8W per side. Will I miss the NAD’s power? That’s going to be fun experiment.

And, it’s going to be super interesting to try the Primaluna integrated with them. I can’t wait to see if I like my KT150s or EL34 variants better.

I’m not going to give some glowing review because it’s too soon and I’ve learned some speakers may sound so so with one system and great with another and even more so with different rooms. There is, however, a big takeaway for me personally: I can use reviews as guides but you have to try stuff out in your room with your stuff to really know. I recently sold a near mint pair of KEF LS50s because my $500 Wharfedale Dentons just sang better with my Creek integrated in the specific room they are in (downstairs system). And that doesn't say anything about the KEFs--they are still amazing boxes.  



128x128jbhiller
For me the only fault in the Freya are the LEDs...too bright, fixed with a green sharpie and a maddeningly fiddly operation to get the top back on the chassis with the LEDs lining up to the holes...if there's an easy way to do this I'd like to know that it is, but I managed it after a struggle.
Tomcar,

arebyou blose to chicago? You can borrow mine. It’s gonna sit until May. 
Note that Freyas are so cheap it's utterly worth it to try one and send it back if it sucks...note that mine came with the Russian 6N8S tubes that worked fine with no microphonics, but I had to try the new Tung Sol 6SN7GTB and some NOS Sylvania "chrome domes" and NOS RCAs...currently using the RCAs in the inputs and Sylvanias in the output...this changes often. 
OP, wow, thank you for your generous offer! Unfortunately, I live nowhere close to Chicago. You are indeed a caring soul and a gentleman.
Wolf, after inquiring about tubes with the factory rep, he suggested the Tung  Sols were slightly warmer than the stock Russian tubes. Your thoughts?
OP, thanks again for such a surprising, generous offer.
Tom
No problem tomcarr!  

I can certainly ship it to you to try, but with Schitt's trial program it would be cheaper for you to go that route--unless you have a means of free shipping for you and I to use.