Technics 1200G Tweaks

Dear friends: The different models of the new Technics designs are really different to the very well regarded " old " 1200/1700.

It is weird that no one of you mentioned a crtical twecks: headshell wires and internal tonearm wiring.

If all of you listened the improvements when changed for better IC phono cables well those two tweaks I mentioned will be a bigger quality level improvements additional to what already you did it.

It’s very easy to take in count why is so important the headshell wires and tonearm internal wiring where is where the very sensible cartridge signal must pass through before any other cable or electronics.

The stock internal wiring and the after market headshells has not the quality level to make that critical and the must important issue with that great tonearm design.

Yes, silver headshell wires with silver female connectors and silver internal wiring is the best way to go and no the silver is not over brigth and is the best audio signal conductor you can use. You need that through those headshell/tonearms wires the cartridge signal looks for a minimum degradation, is here where everything starts and what we lost here never can be recovered it does not matters that your IC phono cables cost 10K.

Priorities is a very important subject to take in count.

With those two silver wiring tweaks that tonearm even and outperforms any today high K dollars design . There is no need to change the Technics stock tonearm that is very good design and that permit to use different build material and weigth headshells to match in better way any cartridge needs. With the Technics tonearm you don’t " married " to an always tonearm signature ( for ever. ) as happens always with tonearm fixed headshell designs.


In the other side stay away of any all metal mats. Metal is a developer of resonances and an enemy in some places tghrough the analog rig. Be very carefully about.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

Yes (to silver wire) and no (to “stay away from metal mats”). Listen for yourself.

Dear @lewm : I already did it for years.

R.

Mine is a GAE rather than a G, which should matter not, but in the interests of full disclosure there you have it.  I agree with the advice that the most significant impact will result from cartridge choice.  I use an Ortofon Per Windfeld (original) because it pushes all my buttons.  Most people would prefer the A-95 for it's greater detail and more up front presentation, but prefer the more distant perspective of the Windfeld.  Either sounds very balanced/neutral and I prefer them to the highly regarded Audio Technica A7. Next, very important, the headshell and wire:  Yamamoto HS-4S offered a big improvement in detail.  Next, I tried Raul's recommended arm wire upgrade, it made for greater detail, but I thought it unnatural (brighter maybe?) and went back to the stock wire.  Again, this is subjective.  Many (most?) would prefer the arm wire upgrade.  Interconnects.  I tried a bunch.  Settled on AudioSensibility Statement OCC Silver (I also considered their copper version of same).  (Note this is not a cheap upgrade)  The silver is a little more tingly, whereas the copper is a little warmer.  I think if I had gone with the AT cartridge the copper interconnects would have worked better, so the lesson here is that these things are all inter related.  Finally mats.  I could not say they made a discernible difference to my ear.  I have the stock one of course, a deer skin one, a Herbies and a couple of others.  All I can tell you is mats are going to have less impact (if any at all) compared to the other tweaks mentioned.  A word on alternative arms.  The stock arm on my GAE is really superb.  It sets up like a dream, in an exactly repeatable manner.  I think setup is critical and for people for whom vinyl is a new adventure in particular, this factor of ease of setup cannot be overstated. Too, I change cartridges frequently, mono, MC, MM, trying different ones and like having a removable headshell.  I can't say I would consider replacing this arm under any foreseeable circumstance.  This is a great turntable and the more I use it the better I like it.  These tweaks improve what is a fantastic bargain.

My tweaks are as follows:1.  Yamamoto HS-4S headshell and wires2.  Note, I tried Raul's arm wire change and found that it improved detail, but I thought it was an unnatural sound.  An expensive mistake for me I went back to the stock wire. 
3.  Interconnects are by AudioSensibility Statement OCC Silver.  I also tried their copper version of same.  Silver a bit more tingly, copper a bit warmer.4.  Primary cartridges:  Stereo - Ortofon Per Windfeld;  Mono Ortofon 2M Mono SE or Audio Technica Mono 33 Anniverary5.  Mats - I have several, can't say they make much difference.6.  Arm - I have a lot of experience including setting up turntables for a living for a decade back in the 1970s and this arm is among the best.  It is very easy to set up.  This factor is exceptionally important especially today, when many people are new to vinyl or coming back to it after a long absence.  Getting professional help is difficult today.  Unless you have a lot of expertise, stick with this arm.  You have to go a long way to beat it.  Plus it is nice use and nice to have interchangeable headshells.