Clearly absolute time alignment isn’t a requirement if Focals do it as well as they do.
They do not image at all well.
I'm talking about a 3D image with instruments correctly positioned and no wander as they play their range. Instruments should remain in situ no matter how thick the score.
An engineer spends hours setting up microphones on a drum kit so the image is accurately recorded. The sound of each drum should be coherent and localized. Sadly, that is not the case. The kick 'point' [thwack of the beater on the head] is miles out in front of the 'heft' [air volume moved] and the heft sounds like it is going in the wrong direction, which it is due to design.
The image of a solo close mic'd vocal should be tightly focused between the speakers and not move. Sadly, this is not the case. The vocal is spread like mayonnaise between the speakers, moving back and forth as the pitch changes.
Multitracked backing vocals, finger snaps, hand claps, etc. should be exactly where placed, not stroll about or be one wide smear. Sadly, that is not the case.
Plate and spring reverbs have a distinct tonality and image distinct from the band. When the musicians stop, the decay should be immediately obvious as an effect and not hall ambience. Sadly, that is not the case.
By their design, an accurate 3D image is impossible.