I am wondering about the interest level of listeners in this thread in composers that are "way out" at the bleeding edge of modernism. For example, do people really love the music of Luigi Nono, or just find it interesting or hate it? I find him interesting, but, I don't really love the music.
What do you folks think of Giacinto Scelsi? I have been listening to some of his works recently and I am sort of coming around on him. Many years ago I purchased an LP of vocal music that employed microtonal singing. Back then, I thought it sounded aweful (I imagined that this is what Yoko Ono sounds like in labor). But now, I find it much more palatable.
I am curious about where other listeners place the boundary of too-far-out-to-listen-to.
What do you folks think of Giacinto Scelsi? I have been listening to some of his works recently and I am sort of coming around on him. Many years ago I purchased an LP of vocal music that employed microtonal singing. Back then, I thought it sounded aweful (I imagined that this is what Yoko Ono sounds like in labor). But now, I find it much more palatable.
I am curious about where other listeners place the boundary of too-far-out-to-listen-to.