Please tutor me on some integrated amp basics.


I’ve recently purchased Magico A3 speakers and a VPI Classic 2 SE turntable with an Ortofon Black 2M moving magnet cartridge. I have a Marantz SA 8005 CD/SACD player to play the few (maybe a hundred or so) CD’s in my possession.
I’ve mostly vinyl albums and no streaming sources. I’m next going to upgrade my old amp/preamp purchased back in the late 70’s with a new, probably integrated, one and am starting to do some research.

Here’s where I need some tutoring. A lot has changed since the seventies with the advent of digital technology. As well as I need to learn more about amplification components in the high end of audio technology. I keep running across terms I don’t understand. I’ll give you a list and if someone would be kind enough to explain these basics I’d be obliged.

For instance I was reading about the Hegel H360 integrated amp that Magico’s Alon Wolf recommended for their A3’s. The review mentioned they were a Class A/B amp, another person commented Class A’s were better, and a third person said he didn’t care for Class D amps. What do these classes signify? 

A second question is about DACs. I generally understand their purpose of the DAC, converting a digital to an analog signal. However my only digital device, the Marantz SA 8005 already has a DAC, ostensibly of good quality. The turntable ’s Ortofon cartridge would not need to play through a DAC, I presume. Would I bypass the CD’s players DAC if I purchase the higher quality Hegel H360 integrated amp?. Or could I find an equivalent integrated amp without an integral DAC?

On the other side of the equation I understand the turntable’s cartridge cannot play through the Hegel without first going through a phono stage. My old Phase Linear 4000 preamp you just plugged the turntables RCA cables into the back of the preamp and you were done. What’s that about? Do they make equivalent integrated amps to the Hegel H360 with integrated phono stages already in place, so I can just plug my turntable in as I’ve been able to do before. The amps don’t seem to be well integrated at all if you have to add a pricey phono stage to make them work, and end up having an extra DAC. That’s just me whining.

Third question is what are monoblocks, how are they used, and what are their advantages to a system? They were used at one of my speaker auditions.

I figured out the answer to what amplifier damping was myself, so I’m sparing you that one, but what does the term impedance mean? I keep coming across that.

Thank goodness I don’t have to figure out the cabling nightmare yet. Thanks for any help.

Mike
skyscraper
Kosst_amojan, It’s a new day, I’m awake again and have reread your post. That’s sensible advice you’re offering. I do need to research more on this fairly complex subject, and be patient doing so. I am getting into a bit of a rush to get this project, buying a new stereo system, over with. At the very least I can make do until February when my back ordered Magico’s are set to arrive, and obtain at a better understanding of what’s involved with audiophile quality cables. That’s a way more sensible idea than taking a shot in the dark. Thanks for your advice.

It’s taken a few days to adjust to the idea cables are an important part of a stereo system and the non-expense of using zip cords is a thing of the past. Back in the late seventies, when I last purchased components, you never even considered wiring or cabling in the overall cost or budget for a system, and honestly I didn’t when budgeting for my recently purchased new equipment. That’s why I’m been trying to find a way out of this somewhat unexpected added expense.

Are there any $1000+ speaker cables you would personally recommend, that you’re sure are well built and legitimate, and not too esoteric. I’ve received well over twenty recommendations so far without even asking, and read reviews of even more possibilities. I need to start narrowing down the field to a shorter list of legitimate contenders to research.

I’ll maybe make due with something in the Blue Jeans range in the meantime, as some have suggested. It would be nice if there were some cables in the $1000+ range that there was a consensus about, that you couldn’t go wrong with. Maybe with some further research I can turn some up. I’ll have to find what cables Magico uses for demoing their A3’s at shows too. (I’m thinking out loud). Thanks again


Geoff, I’d appreciate if you didn’t head my thread off in a related, but different direction, while I’m trying to figure this out with your and other’s valued advice. Are there any $1000+ cables you’d consider to be a sure bet and should be on my short list? Preferably ones by not too esoteric a manufacturer with a a decent track record? I read your thoughts on cryogenic treatment of cables, and had read some others who passed this off as gimmickry. Not to focus on cryogenics, I’m curious what aspects of cable design you’d recommend I should avoid as gimmicks and what might be legitimate design factors to look for. I really have no way of knowing what’s legitimate design or manufacturing practices, and what’s not, and opinions on the internet are all over the place. I am trying to learn though, best I can by asking questions. Thanks for your advice,

Mike
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Not sure  what cables Magico uses at the shows but I did read a review about 3 years ago in stereophile where they went to their factory and they used MIT cables and Soulution Electronic mono blocks  on their high end speakers. I have seen MIT speaker cables from around $1000 a pair to over $50,000 a pair. In my opinion copper wire of an appropriate guage and insulation with good connectors are all that one needs. 
Thanks anyway kosst. With your knowledge and expertise you could probably become the 101st audiophile cable manufacturer if you wanted to be. Take it easy.

Djones, thanks for the info on Magico using MIT cables at their shows. I’ve actually heard of that manufacturer. Their cables were recommended by the dealer who sold me my Luxman, and he didn’t even carry that brand. Their most expensive ones are a bit out of my range though without my selling my house.

Mike
Ask Magico what they use for wiring in their speakers. This doesn't mean you better use the same but it is interesting. I would steer clear of Jeans, that's budget brand. Higher end MIT are hit or miss cables, no way to be sure in advance.