Why Does All Music Sound the Same; An Explanation

mapman said:

" Shouldn’t any true hi end system be able to reproduce any recording accurately, including very loud ones? "

I do not understand the concept that better equipment can compensate for compressed dynamic range (the end result of excessive loudness). If it isn't there how can you fix it?

@erik_squires , IMO, it applies to a very large percentage of music produced in terms of sales, airplay, downloads.

You're correct that the number of recording artists this applies to is small in the grand scheme.

But the Loudness Wars also applies to classic rock and music recorded in the analogue age. Their re-releases now being sold as "remastered," meaning the recordings have been improved.

Only a small percentage have been improved by digital doctoring.

Their re-releases now being sold as "remastered," meaning the recordings have been improved.

Some are more compressed, and more EQ'd, some are less. Really depends on who is doing the remastering and who they perceive as their target audience. This is one clear advantage DSD has. When a DSD re-issue is planned, they KNOW their audience is audiophiles, so generally (which is all we are talking here) DSD, like vinyl, has a particular brand.

And yes, of course the article applies to commercial music. Just saying, there's a lot more music out there man. Unbelievably large amounts.

Best,
E

Very true about target audience, but I’m making the point that the mainstream music biz is in a sad state.

Erik, I listen to 90% classical so this doesn’t affect me for the most part. It’s only when I listen to rock and some remastered jazz which has been compressed that causes me grief.