jsqt The tube layout is exactly the same. 3 12AX7's for the phono preamp and 5 12AU7's for the preamp. In the SE they are using oil caps and the phono has 4 step up transformers 2 for MC high and 2 for MC low. Lp's have a lot of punch and are very quiet. I would venture they are quite similar. Hard to compare as Luxman only made 100 units so not a lot of owners around. This unit has a remote but it's very limited just volume and mute. Everything else you have to get up to do. By the way I'm using an RME ADI2 DAC w/this preamp. Very happy w/the combo. Art Dudley compared it very favorably to his Shindo preamp. It's listed as a Class A preamp in Stereophile.
Help with XLR between Luxman L-509X & Hegel HD30 DAC
Hey there ... I have a Hegel HD30 DAC which will soon be plugged into a Luxman L-509X I'm awaiting delivery on.
Hegel says the best/preferred analog output of the HD30 is the XLR balanced outputs.
However, I have heard or read somewhere (I think) that either the Hegel or the Luxman has a different "hot" pin on their XLR connections.
Can anyone verify this, and is it something I need to be aware of when connecting the two via XLR? I always figured XLR was XLR, but I'm pretty sure I read somewhere that there can be different standards in the way these things are built.
Thanks!
Hegel says the best/preferred analog output of the HD30 is the XLR balanced outputs.
However, I have heard or read somewhere (I think) that either the Hegel or the Luxman has a different "hot" pin on their XLR connections.
Can anyone verify this, and is it something I need to be aware of when connecting the two via XLR? I always figured XLR was XLR, but I'm pretty sure I read somewhere that there can be different standards in the way these things are built.
Thanks!
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- 18 posts total
- 18 posts total