Dear @orpheus10 : That " MUSIC NOT DISTORTIONS " goes way beyond SS vs Tubes technology limitations.
As @johnss posted in the other thread both analog/digital signal pick up by the recording microphones is way manipulated that degrades it and we can't do nothing about because the damges already comes in the LP grooves.
What can dowe to try to listen the LP's in the best way?. IMHO, try to listen it putting at minimum every single noise, distortions, anomalies, etc, etc developed during the overall play proccess.
Than means that we need to know or learn how THD sounds along/added to MUSIC, same for IMD, noise levels, frequency response bandwindth. room/system relationship. Unfortunatelly in the overall room/system chain each link is a focus od developments of different kind of noises, distortions, anomalies that degrades the already heavy degraded recorded signal that comes in the LP grooves.
I posted several times that my main room/system target is to stay truer to the recording and this means to put my room/systems developed noises, distortions, anomalies and the like at minimum.
To do those we have to be self trained to be aware how detect all those developed " enemies " and how to put at minimum. Only to know how detect it how it sounds each of them is a true challenge for any one of us and we need a hard sel training, patience and a lot of time.
When any one of us can be near of that target digital or analog always will performs with very high quality and you will listen those MUSIC nuances you are talking about with SS electronics.
We have to learn if that high frequency " transparency " is just MUSIC or is added distortion what we are in true listen it, not an easy task but worth the rewards to enjoy rally enjoy MUSIC and not only that: " I like it ", that at the end means almost nothing because each one " I like it " is really different.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
As @johnss posted in the other thread both analog/digital signal pick up by the recording microphones is way manipulated that degrades it and we can't do nothing about because the damges already comes in the LP grooves.
What can dowe to try to listen the LP's in the best way?. IMHO, try to listen it putting at minimum every single noise, distortions, anomalies, etc, etc developed during the overall play proccess.
Than means that we need to know or learn how THD sounds along/added to MUSIC, same for IMD, noise levels, frequency response bandwindth. room/system relationship. Unfortunatelly in the overall room/system chain each link is a focus od developments of different kind of noises, distortions, anomalies that degrades the already heavy degraded recorded signal that comes in the LP grooves.
I posted several times that my main room/system target is to stay truer to the recording and this means to put my room/systems developed noises, distortions, anomalies and the like at minimum.
To do those we have to be self trained to be aware how detect all those developed " enemies " and how to put at minimum. Only to know how detect it how it sounds each of them is a true challenge for any one of us and we need a hard sel training, patience and a lot of time.
When any one of us can be near of that target digital or analog always will performs with very high quality and you will listen those MUSIC nuances you are talking about with SS electronics.
We have to learn if that high frequency " transparency " is just MUSIC or is added distortion what we are in true listen it, not an easy task but worth the rewards to enjoy rally enjoy MUSIC and not only that: " I like it ", that at the end means almost nothing because each one " I like it " is really different.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.