Tonearms: Ripoff?


If you search for tonearm recommendations you'll find an overwhelming amount of praise for $1k and less products. Audiomods and Jelco are the two most mentioned.

The Audiomods is just some guy making Rega-based tonearms in a workshop. Just some guy is putting out tonearms that compete with tonearms that cost many times the price -- from the likes of SME, Clearaudio, VPI, Graham, etc.

So the question is -- are tonearms just a scam? How is it that everyone loves Audiomods and Jelco to death and never talks about / dismisses high end tonearms? Is it because there's no real difference between one of these low-cost tonearms and the high end ones? Is an Audiomods Series V ** really ** the equivalent of a SME V? Some guy in a workshop equals the famed precision of SME? Is that once you have the math and materials worked out all tonearms are essentially the same? Or is it that most owners of record players online are dumpster-diving for vintage gear and simply can't afford to listen to better?

So, what's going on?
madavid0

When it comes to economics, audiophiles are the dumbest of people, they don't have a clue as to what the price of corn and gasoline have to do with cartridges and everything else; It's called INFLATION.
@edgewear   What you propose makes some sense. It would be an interesting data point for the cartridge and/or arm buyer to relate to. However, it is not solving the issue, and may in fact contribute to more problems...why...because you are assuming that the synergy that you are reporting on, is what the prospective arm and/or cartridge buyer is listening for. That is a matter of taste, and how do we determine if something meets our taste test; if we don't have an opportunity to hear it for ourselves. As was posted on my cartridge nightmare thread, in the old days, we had HP who generally called it as he heard it, and IF you agreed with his thinking on SQ ( which BTW, I did), you had a pretty good idea as to what you were getting. Not ideal by any means, but at least a fairly decent reference point, IMO. Today, unfortunately, we do NOT have such a reviewer of analog...and I do happen to think that MF's reporting is questionable at best....remember he has NEVER heard a piece of gear that he didn't like, so long as the price was high and ever spiraling! 
@orpheus10 Uhmmm...Last time I looked inflation wasn’t on the order of tens of percentage points in a period of just a very few years ( i don't know what country you live in, but certainly not here in the US)...as some of the cartridges in question have risen to.
As an example, the Lyra Etna was priced at $6K when newly released, now it is $8.9K...is that just due to inflation...please do tell!
 Davey, now that you have admitted that you generally agreed with the review opinions of HP, I think I understand you a bit better. While HP was probably the greatest of audio Review writers, his opinions were diametrically opposed to my own  in most cases where I was able to audition equipment he espoused. He seemed to prefer the shrill and the clinical over the musical. And he definitely tended to prefer the very expensive over the less expensive. So I am a bit surprised that you followed him so closely on that score alone. For one example, he may have been largely responsible for the popularity of the original Supex cartridges, which were the first moving coil cartridges to be widely marketed in the USA. To put it frankly, they were just awful.
@lewm where on earth do you get the idea that HP "seemed to prefer the shrill and clinical over the musical"?? HP was IMO one of the few audio writers who called it as he heard it....if he heard it as ’shrill and clinical’ that’s what he wrote, OTOH if he heard it as overly warm and ’musical’ that’s what he stated. HP was one of the first writers to state how great the Benz LPS MR was at the time, flying in the face of many who felt all Benz’ were too warm ( although not to me). Are you telling me that that cartridge is shrill and clinical??