I might have the record with my Harmon Kardon 930 receiver. This unit came twin powered @ 45 watts per channel and the that McIntosh traveling lab measured at .005 in 1972. I still use it as a second setup with a equally old mc 250. The hi has a preamp out.! Bought it new in 1972.
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Given the mention of cassette decks in many of the responses, I’d thought I’d mention a currently produced deck some may wish to consider if and when their vintage deck develops a problem that isn’t worth fixing, or can’t be fixed. The ca. 1980 Tandberg 3004 I purchased in the mid-1990s recently developed some problems, and given the expense that would be involved in getting it repaired (the SoundSmith website indicates a "maximum estimate" of $2250 for an overhaul of that very complex deck) I decided to purchase a pro-oriented dual well deck Tascam introduced just a few months ago, the 202MkVII, costing $500. And I’ve been very pleasantly surprised with its sonics, not to mention that I expect it to provide much better reliability over the long term than the Tandberg would have if I were to get it repaired. Compared to the Tandberg (when it was working properly) there is some loss of definition in the highs, that is particularly evident on classical piano music. But that is pretty much the only significant negative I can cite regarding its sonics. And on the other hand, I’ve just listened on the Tascam to a Connoisseur In Sync cassette I purchased in the 1980s featuring violinist Wanda Wilkomirska performing the famous Bach Chaconne and various pieces by other composers, the original recording having been made in 1974. Totally fantastic, musically and sonically! Most or all of the many cassettes that were issued on that label, btw, were duplicated in real time and on CrO2 tapes. Also, btw, the deck provides a USB output, making it possible to do digital transfers to a computer. Regards, -- Al |
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