@mapman
I agree with you. I worked on a lot of pioneer and such. Receivers are value products. I respect them, have worked on possible 500 in 3 years as a busy beaver. After about 80 watts I see no good reason to buy a big receiver, thats the time to go separates.
I have found the following. Using a scope to determine clipping I find that most people do not hear clipping till it reached 10 % of the time and those are just little Millisecond clips. Longer clips are more notiable because they block the signal for a long time. So how much overkill is needed? Recievers are not designed for overkill. I use a nice Marantz 2235 in my lab for background music. Way more than I need for my Rogers LS3/5As.
I would say louder recordings are prone to less clipping because they are more compressed. Your ideas?
What is a lifelike SPL for you? On what music?
Back in the 70s selling most popular receiver lines from Pioneer to sansui to Tandberg the more powerful models in a line (generally up to 120 w/ch or so) ALWAYS sounded better at least at moderate or higher levels.
Clipping is always public enemy #1 to good sound. Avoid at all costs. Better to have overkill than clip on that great sounding full range dynamic recording.
Modern louder recordings are more prone to clip as well being louder overall so that ups the ante even more when it comes to how much power might be needed.
Also music not reproduced at lifelike volumes is not accurate reproduction rather a scaled down one. Nothing wrong with listening at lower levels but one is not even attempting to reproduce real music accurately that way.
I agree with you. I worked on a lot of pioneer and such. Receivers are value products. I respect them, have worked on possible 500 in 3 years as a busy beaver. After about 80 watts I see no good reason to buy a big receiver, thats the time to go separates.
I have found the following. Using a scope to determine clipping I find that most people do not hear clipping till it reached 10 % of the time and those are just little Millisecond clips. Longer clips are more notiable because they block the signal for a long time. So how much overkill is needed? Recievers are not designed for overkill. I use a nice Marantz 2235 in my lab for background music. Way more than I need for my Rogers LS3/5As.
I would say louder recordings are prone to less clipping because they are more compressed. Your ideas?
What is a lifelike SPL for you? On what music?