FR64 cartridge suggestions


Been out of the loop for quite a few years due to some 'life' events, with system in storage.

I have been able to pull my system from storage, and last year worked enough overtime to upgrade or purchase new equipment, but I have not upgraded my turntable/tonearm/cartridge yet.

My turntable is a Technics SL1000 MKII which for those not familiar, is the Technics SP10 MKII turntable mounted on a factory plinth.
I have two Technics B-500 bases with an 'E' armwand and 'H' armwand that I don't use.
The tonearm I do use is a Fidelity Research FR64, so I need a low compliance cartridge.
The cartridge I used last is a vintage Fidelity Research FR-1 MK3 F, which needs to be re-tipped, and I will do so once I get a replacement.

The rest of the system includes:

Zesto 1.2 Andros tube phono stage
Zesto 1.5 tube preamp
Quicksilver V4 tube amps (new KT150 version)
Green Mountain Audio Continuum 3 speakers
JL Audio 113 Fathom subwoofers (pair)

Curious what cartridges other high mass tonearm owners are using, especially those who use Fidelity Research FR64/66 tonearms.

Looking for cartridges under $2000 USD at most.. probably should spend half that.

I have over 20K records, so I am very anxious to get this back into service.

Really curious about suggestions and thanks in advance.



128x128Ag insider logo xs@2xrich121
Which would be more lively and dynamic?
London Decca Jubilee or London Reference.  Both are the lively and dynamic cartridges I have ever heard and are a great match for the FR-64.  Note: I have never used (or heard) a London Decca cart mounted on a DD turntable.  But I see no reason why it wouldn't work.

George told me the 15K Ohms impedance setting on the moving magnet switch in his Zesto Andros phono amp was put there specifically for London cartridges, a fair number of his friends and Zesto owners using it with that cartridge design.
lewm and nandric

I bought 2 of the same B-60 bases that you did, from ’Tien’ for both of my FR64S’s.

One of the bases slides up and down tightly, with no play...the other is similiar to what nandric reported, it has some side to side movement.

Tien responded to this by telling me that the base with play needed more silicone oil, which he would mail, and he would send me a video on how to maintain and use the B-60.
I also asked for the ’gun metal’ screws that nandric requested from Tien, but I received no tonearm mounting screws with the 2 B-60 bases.

Tien says he will send the oil and that it was lost in the mail... hope so, as I cannot use the bases without the screws and need some help with the oil, as I didn’t even know they used oil.
Heavier silicone won't help your b60 clone with the side movement- it is the tolerance of the guide pin. Ask me how I know :)
If anyone has extra guide pin screw (of the correct dimensions) I'd love to get one...

@rich121 & solypsa , Is Mr. Tien still in business? I thought he ended his B-60 adventure because of insufficient profit. The ''guidepin'' as solypsa called the thing is actually an ''old-fashioned screw''. I asked Tien to substitute his steel sample for ''gun metal'' kind because of my assumption that this ''metal'' (alloy) will glide better ''against'' steel ,er, glide. Metallurgy  seems to be more art then science while both are ''uneasy domeins '' to me. The same reason(gliding) caused me to substitute silicone oil for grease. I still have the ''old steel kinds'' and checked them in order to refresh my memory. I have no idea how the instrument with which thread is cut is called but assume that the thread is not cut with the right dimension/ tolerance . Aka ''fraction smaller'' then needed. This then causes ''side movement''. Any ''mechanics'' with a late should be able to produce the right ,er, ''screw''.