Turntable got absolutely crushed by CD

Wow thanks for all the advice here.. didn't really expect this much response on this. I only began my vinyl journey a year ago and I'm definitely still learning. Please pardon my ignorance.

With regards to alignment, I've tried to get it as reasonably close to perfect as I can with the supplied jig. VTA is slightly higher due to the bass weight I'm hearing but I don't really see that as being the reason for the huge gap in performance? I've seen somewhere that the jig is not the best. In that case, what should i be looking at for a more accurate alignment?

On the point of a mediocre cart on a mediocre arm.. the ZU-Denon (Mk.1) was mint when I recently bought it. I know the DL103 is far from the best and maybe that wasn't a fair comparison, but will a better cart... like the Dynavector dv xx2 mkii actually push the vinyl setup way ahead of the Esoteric? A cart like that is a significant investment and I fear that even then it still might not match up to the Esoteric...and hence my question on whether anyone has had experiences of comparing high-end digital to high-end analogue? 

I was also under the impression that the JMW 10.5 tonearm was capable enough to take high-end cartridges since I've seen many mounting Lyras and Koetsus on this thing. Am I wrong about this?

The C200L and P600 was restored and recapped when i bought them from HifiDo. I'm thinking the C200L might be the bottleneck here with its in-built phono stage. Yes I'm on the 100ohms loading as the Zu-Denon DL103 mk.1 brochure actually recommended a load of 80 to 200ohms and quite a number of people seem to be on 100ohms too. Coming back to the mention of  Dynavector dv xx2 mkii, maybe that will be a better choice given a recommended >30ohms loading?

@ jmolsberg-   Gotcha!   I too had a short, "chuckle"(more of a derisive snort).   Attention to detail is everything(and everything in the chain- critical), with analog.

I think most of the MOV stuff is sourced from digital files, not that this is bad per se (i've heard some great reissues that aren't "all analog") but I will add this: I have been a vinyl die-hard all my life and in the early days, found digital (CD) sound to be intolerable. I have a very good vinyl front end and have a large record collection, much of which is not "audiophile" vinyl at this point, just good pressings, many of which would be hard and/or very costly to replace.  
I only started using digital in my main system recently and didn't spend nearly the money on the digital front end that is sunk into the vinyl front end. 
I'm actually quite stunned at how good digital sounds on my system. Not every CD or file, but a lot of them.
 I like the black backgrounds, lack of any surface noise (I go to a lot of trouble to source very clean playing copies and clean and maintain the records to a very high standard). There are times when I suppose I could compare a recording on both formats and conclude that the vinyl betters it, but both 'formats' have their strengths. 
If I were starting out today without a sunk investment in a lot of records, I don't know that I'd concentrate on vinyl-- it is a PITA, can be costly to get to a high playing standard, turntable, arm, cartridge (a consumable that can be costly), phono stage, proper set-up, isolation, etc. along with a good record cleaning regime. 
I've become more agnostic despite my life long commitment to vinyl LPs. There is stuff that never enjoyed a quality reissue on CD or hi-rez and there are CDs that are absolutely stunning. I straddle both formats at this point despite the considerable investment I have in the LP. I've gotten over the 'one is better than another' thing-I think you need both types of formats to get access to the range of music that is available, old and new. 

@ kahlenz I too, enjoy vinyl very much for the same reasons so you can imagine my disappointment when I wanted to believe that the Classic would sound better.