Turntable got absolutely crushed by CD

Totally different setup but...
The dl103d on my Denon sounds really flat and lifeless loaded at 100ohm.
It comes to life at 470ohm but best response I have so far is set at 1000ohm. Best overall balance.

I would honestly think a good separate phono stage with lots of options to adjust loading and gain would be the next move of you are going to stick with vinyl.
$400 to $500 should see you into a good used model.

I too, agree with whart.

My biggest shock in audio (many years ago, and before digital) was when a Linn dealer, unable to convince me that his Linn was better than my top of the line Denon, offered me a VPI suspension base at half price. I took it home and put it under my TT. My jaw dropped at the difference! To this day, I am leary of non-suspended tables, no matter the mass, unless steps are taken to avoid the deleterious effects of feedback. You will never suspect what is wrong until you hear the difference. See if you can isolate your TT by some means.

Let’s face it. Anyone who weighs into an analogue forum with such an inflammatory thread title is bound to expect some flak. ;)

Even if I had the money for e.g. 3-box DCS CD player, the cheapest of which retails at 40 or 50K(?) I wouldn’t buy one. Don’t know how this type of player stacks up against your Esoteric but it illustrates that analogue’s persuasiveness as a compelling musical medium is much more powerful than you suggest.

@moonglum well as the owner of a full Vivaldi stack (itself further tricked up with a boat load of extra gee gaws) I used to think it sounded pretty good -- until I upgraded my speakers (now M3) and pre-amp (now VTL 7.5III) -- I soon discovered that my prior speakers and pre had been adding a very pleasant coloration to CD playback that masked the shortcomings in red-book reproduction to a very agreeable degree (some added bass warmth and colorful splash around the treble largely from my ARC Ref40) -- with this stripped away the weaknesses in digital became clear and at the same token my LP reproduction took a great leap forward -- with the removal of that extra sheen and gloss all of the advantages of analog came out loud and clear (a wholeness of presentation, a seamlessness across all frequencies etc etc)

By the same token SACD now sounds that much better than red-book

What I'm getting at by this is that often times great sounding CD playback is about finding a set off complementary colorations that enhance the weaknesses in the medium -- with these in place CDs can sound really good, but once you get clued in to the extra spices and flavoring you are adding you soon hear them -- LPs on the other hand only keep getting better

It may be that the OPs Esoteric is designed to bring out the best in CD -- I will not weigh in on all the ways his LP playback system may be limited, suffice it to say that LP playback requires painstaking attention to detail in every aspect and any small error can ruin the whole thing