Thx. Will do.
Audioquest Makenzie XLRs
I cant spend hundreds or thousands on cables.
Is there a better XLR cable for the money at the price point of $110 a pair than the Audioquest Makenzie? 110 is my cost. Next up the line in AQ more than doubles my cost.... cant swing that much on ICs.
Gear consists of Marantz 7704, ATI 1807 Amp, B&W CDM 9NTs.
Not high end by any means but it's far better than what I had.
So .... is there a better cable for the money?
Seems AQ Makenzie is well reviewed and well designed.
Thoughts? Comments? Assistance and advice is appreciated.
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- 27 posts total
In short, XLR isn't necessarily better. However, the ATI 2007 is a balanced amp, and the Marantz 7704 will output a balanced signal, so in this instance, I'd be inclined to try a balanced cable. Not to complicate matters, but you'll want to verify the pin arrangement on the ATI 2007. According to page 43 of the Marantz 7704 manual...
If the ATI 2007 is arranged with B as COLD, and C as HOT, you can always just refers (+) and (-) speaker connections to preserve polarity. |
The professional balanced/XLR pin arrangement in the U.S.A. adheres to AES File 48: Pin 1: Ground Pin 2: Non-inverted signal Pin 3: Inverted signal That is how all pro equipment is wired (as well as consumer electronics designed by engineers who wish to conform to that standard, such as Atma-Sphere's Ralph Karsten, Music Reference's Roger Modjeski, and EAR-Yoshino's Tim de Paravicini), and how all pro audio cables are terminated. In Europe, pins 2 & 3 are reversed. |
Just flip the speaker cables on the amp side (+) -> (-), and (-) -> (+) and leave the speaker cables on the speaker side (+) -> (+), and (-) -> (-). You can "fix" it through XLR cable modification, but then you'd be messing with perfectly good cables, and can solve the issue in a much simpler manner. If we weren't having this conversation, you'd probably never know the difference if you didn't flip the polarity, but since you're on AudioGon, you're probably OCD like the rest of us. |
- 27 posts total