Does anyone care to ask an amplifier designer a technical question? My door is open.


I closed the cable and fuse thread because the trolls were making a mess of things. I hope they dont find me here.

I design Tube and Solid State power amps and preamps for Music Reference. I have a degree in Electrical Engineering, have trained my ears keenly to hear frequency response differences, distortion and pretty good at guessing SPL. Ive spent 40 years doing that as a tech, store owner, and designer.
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Perhaps someone would like to ask a question about how one designs a successfull amplifier? What determines damping factor and what damping factor does besides damping the woofer. There is an entirely different, I feel better way to look at damping and call it Regulation , which is 1/damping.

I like to tell true stories of my experience with others in this industry.

I have started a school which you can visit at http://berkeleyhifischool.com/ There you can see some of my presentations.

On YouTube go to the Music Reference channel to see how to design and build your own tube linestage. The series has over 200,000 views. You have to hit the video tab to see all.

I am not here to advertise for MR. Soon I will be making and posting more videos on YouTube. I don’t make any money off the videos, I just want to share knowledge and I hope others will share knowledge. Asking a good question is actually a display of your knowledge because you know enough to formulate a decent question.

Starting in January I plan to make these videos and post them on the HiFi school site and hosted on a new YouTube channel belonging to the school.


128x128ramtubes
I think microphonics can sound euphonic. I built a Bottlehead be pre-and while it was fantastic the tubes in that application were very microphonic. It lends everything a rounder more robust sound as it’s like a delayed Feedback.
That's a new one on me- usually microphonics causes harshness!
@bdp24 

@ramtubes, Roger, I know you consider the 6DJ8 superior to the 12AX7 for use in a phono stage, but let me ask you this anyway ;-) : how do you feel about substituting a pair of 5751’s in place of a phono amp’s 12AX7’s? I know the 5751 exhibits lower gain and noise (in the 1980’s I had a Dynaco PAS 2 that was "modified" by Frank Van Alstine, and he put in 5751’s. That pre was very quiet.), but are there trade-offs involved between the two tubes? Is the 5751 a true direct replacement for the 12AX7, regardless of application? Or are there circuit considerations? If used in an RIAA moving magnet phono stage (gain of 42dB or so), will the 5751 automatically provide a little more headroom/freedom from overload than the 12AX7?


The 5751 is slightly different froma 12AX7 and close enough to be tried. We have plenty of very low noise ones. CJ has used them for years. I use one in the integrated I am developing. I could have used a 12AX7 but like the 5751 better. it also happens to be a "Premium" tube which means they took more care on consistancy and long life. It falls under the "industrial" category where failures are not appreciated. Headroom is more of a circuit parameter than a tube parameter. 
For EVERYONE,

My new/old/previous technician Ben arrives today and I will be spending most of my time with him and not so much here. I will continue to answer valid questions. We will be making and posting videos at the Berkeley hi fi school site. http://berkeleyhifischool.com/ and on You Tube. Videos are what I want to spend my time on.

In the last week we have gotten off track. This thread is intended to answer questions and not to have people give opinions of my or others answers. I am always willing to debate a point that can be supported. That means supported from a recognized authority. For instance, concerning tube characteristics, ratings and applications that means data books from RCA, GE, Sylvania. Take your pick, they all agree with each other because RETMA made them. Did you know that all brands of tubes had exactly the same price lists? In otherwords you could carry a RCA price list in the 70s, as i did, and a 12AX7 was the same list price even if Telefuken made it. One list.

In some cases I have offered to build a A/B box for those interested in really hearing what is going on. It is my firm belief that is the most revealing way. Others may differ and continue to differ.

I thought the other day, Why not build a switch box with several IEC inlets and one standard outlet and a relay or switches. Let people listen to power cords on the fly. Two would be enough, or more doesn’t matter. Fuses too. What is wrong with that test? Lets do some real research.

I am not interested in de-bunking pseudoscience. Established science needs no de-bunking. To those who write up pages of pseudo science and create paradigms to make excuse for bad specs I no longer care to see here. Skilled people in this industry have come up with some minumum standards for noise, distortion and output impedance. I happen to agree with John Atkinson on these. Best wishes if you care to minimum standards. There are always outliers and they will be most adament.

One thing I have learned in this popular and intense thread it that many audiophiles have created a religion with various belief systems. I’m sorry but that interests me not at all. You can’t design a good ampifier on religious principles. You may get one to work, to make some music, but there will be much missing. Sorry.

I thank all for making this thread the most popular for two weeks on Agone. Im not leaving, just shifting my focus back to my real work.

Short questions without a lot of unnecessary information will get my first attention. Most questions can be asked in one or two sentences.


@roberjerman   I have found more data on the 6N30 tube. Same pin-out as 6DJ8 and 6CG7. Plate dissipation 7 watts max. Plate voltage max at 250. Looks like the 6CG7/6FQ7 will work!

The Russians copied many of our tubes as did the Chinese. What you want to do next is compare Mu, Gm and Rp of the tubes at similar operating points. Let me know what you find out. Great question.
 
Low noise 6CG7s can be a little difficult to fine but I have found some.