Hornshoppe "the Truth" preamp - any opinions?


"The Truth" changes the paradigm in Reference Line Stages, literally. Its existence has even forced me to remove a "Direct Connection" in "Class A", because such a choice no longer makes any rational sense to me. In the end, "The Truth" is effectively a "direct connection" with no sonic downsides, and with the ability to drive any amplifier load and/or length of cable, while allowing any source to be heard at its very best. With the exception of extra gain, an audiophile can't ask for more than that. I realize that this may all sound "too good to be true", but it isn't. 

-- Arthur Salvatore  http://www.high-endaudio.com/RC-Linestages.html

This is high praise indeed, he likes it better than Coincident's Line Stage which is saying something, was wondering if someone else has heard it and compared it to other active line stages (am a big believer in active, though currently using AMR DP-777 DAC as my pre)
essrand
I tried one in my system for a couple weeks and while the Truth did not appear to lie to me in any way that I was aware of, I eventually returned it as it simply did not sound as good as what it had replaced, an old but recapped and serviced Yamaha C2-a preamp.
Hi Chris,
Do you have any further listening impressions of the Truth/Frankenstein pairing? Is the PS Audio DAC direct to the Frankenstein still your preference? I know that each individual system can have its own unique variables and synergy factors.
Charles 

I really wish there was a balanced version of this preamp (my amps and source are balanced). I would have either purchased it in place of my current preamp, or would be testing it against it.

Needing a balanced preamp, I got a Tortuga preamp instead, and have been marveling at its seeming lack of audible characteristics every since. Though I do wonder if the Truth is at all a more (I almost said truthful) transparent device. 

Anyone have any experience with both preamps?
@charles1dad I started to write a message on Thursday or Friday saying that I was going to to return the unit and spend the money elsewhere.  Then I came home and tried the silver input and it improved things quite a bit. I would not say that the improvement was revolutionary, but it's better than a direct connection, a smoother presentation with better bass.  It also spreads out the image a bit, which is impacting my ability to place instruments.  I think I can fix that by increasing the angle of my speakers though.  Have had visitors for most of the post-thanksgiving, so I've only been able to work very critically on the stereo a few times.

Unfortunately, adding the pre doesn't fix my low volume listening problem.  The Coincident PREs still fall apart at low volumes.  I had attributed that to distortion to the volume control on PWDac throwing away bits below 50% volume, but it appears that the speakers just need a certain amount of juice to come alive.  Disappointing that that wasn't fixable...  

Also, its clear that the pre-amp is still breaking in.  I've heard it change just over the weekend, as did everyone else in the house.
Hi Chris,
Thanks for the update report. So to be clear you have both copper wired and silver wired RCA inputs? I’m generally a silver wire (I.C and S.C.) type of guy but interesting the difference it makes (to the extent you describe) with your Truth Line Stage. It’s good to know your sound quality is continuing to evolve and  improve.

Sorry to hear about the issues with your PREs. Was this an issue with your Super Eclipse speakers? How low a volume listening level are you referring to? With my Coincident Total Eclipse II I can listen in the 55 to 60 db C-weighted range (low SPL for me) and it sounds good. Are you referring to similar SPL or lower than this? On the positive side it seems that the Truth and Frankenstein are going to be a ’very good’ match in your system. I believe the best is yet to come.
Charles



.
Charles