I spent the better part of a decade building various DIY transmission lines (in SpeakerBuilder magazine issue #4 of 1986 you'll find one of my designs), and in my experience there's a tradeoff: Sufficient output from the end of the line to reinforce the deep bass also results in a cancellation notch in the upper bass at the frequency where the line's effecive length is equal to 1 wavelength (which puts the line's output 180 degrees out-of-phase with the direct sound).
You can see that notch in SoundStage's measurement of a transmission line speaker:
http://www.soundstagemagazine.com/measurements/pmc_gb1/
Fortunately notches are relatively inaudible, so it looks much worse on paper than it sounds. Most people won't even know it's there.
There are techniques for minimizing this notch, but they involve tradeoffs in other areas.
That being said, a good transmission line can be a magnificent-sounding loudspeaker system, especially in the midrange as Trelja notes.
Duke
dealer/manufacturer
You can see that notch in SoundStage's measurement of a transmission line speaker:
http://www.soundstagemagazine.com/measurements/pmc_gb1/
Fortunately notches are relatively inaudible, so it looks much worse on paper than it sounds. Most people won't even know it's there.
There are techniques for minimizing this notch, but they involve tradeoffs in other areas.
That being said, a good transmission line can be a magnificent-sounding loudspeaker system, especially in the midrange as Trelja notes.
Duke
dealer/manufacturer