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Hear my Cartridges....🎶

Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup 😎
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.

With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....🤪
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.

I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....🤗
128x128halcro
halcro's avatar
halcro OP
2,664 posts
 
'Love Letters' by Ketty Lester recorded in 1961 is from the 1945 movie of the same name.
If you have the Ketty Lester version....forget all the others 😎

Many audiophiles have heard the reverential tones used to describe the London Decca Reference Cartridge by those few who have heard or owned this 'exotica'.
My example was obtained from a dear audiophile friend in Argentina who is currently building his dream 'Listening Room'.
No. 84 is a good one.....

The vintage Fidelity Research FR-7 Series of LOMC cartridges has acquired 'Legendary' status over the past 20 years with good reason.
My FR-7f together with the FR-7fz are generally rated as the best of the genus. 

LONDON DECCA REFERENCE MI CARTRIDGE
Mounted in vintage FR-66S Tonearm on TW Acustic AC-2 Belt-Drive Turntable.
Loaded at the peculiar 15K Ohms with 430pF capacitance, the FR-66S is the best match of all my arms for this unique gem.

FIDELITY RESEARCH FR-7f LOMC CARTRIDGE
Mounted in vintage FR-66S Tonearm on TW Acustic AC-2 Belt-Drive Turntable.



noromance's avatar
noromance
9,860 posts
 
Decca - Clean, open, uncolored, unveiled, musical, emotional. Ketty is in the room.
FR - Nice (damned already!), musical in a warm and slightly irritating way, veiled by comparison, bass seems deeper but not quite as clear.

I listened to the MIT/Victor again - this time on PC/headphones. The MIT didn’t sound as good as this time - therefore aligning me more towards the Victor - with the caveat that there was more detail in the MIT.
You sure the Decca works well at 15k? Some say 33k, or 47k. But what about 1meg? You may be surprised.
frogman
7,472 posts
 
Thanks for writing my impressions for me, noromance 😃 .  Great description and I agree word for word.  Loved the Decca; but then I have always liked Deccas.

A bit of possible descriptive excess:

The clarity in the bass let’s one hear the pitches of notes better than with the FR.  Beautiful vocal quality with the Decca.  The FR has a little bit of a “hands cupped around the mouth” quality.

Great example of its emotional quality are the sustained vocal notes at the end of each phrase.  Examples: the words “heart”, “apart”, “sigh”.  Ketty sustains that last word of the phrase, but also maintains or slightly increases the vocal intensity for a nice dynamic “push” through the sustained word all the way to the arrival on the sibilant “t”.  That little dynamic push is more obvious with the Decca.  The reduced clarity of the FR at times makes the sibilant “t” seem almost detached and separate from the word itself.  



noromance's avatar
noromance
9,860 posts
 
Ha! Thanks for the smile, frogman.
I have the mono original of Love Letters. Now, I'll have to dig it out and see how it sounds on my Decca SG/P.
halcro's avatar
halcro OP
2,664 posts
 
You sure the Decca works well at 15k? Some say 33k, or 47k. But what about 1meg? You may be surprised.

With the Halcro DM-10 PhonoStage, I have infinitely adjustable Loading from 15K Ohms to 60K Ohms and infinitely adjustable Capacitance from 0pF to 430pF so I've tried just about every combination for the LDR.

Sometimes I'm happy to listen at 47K Ohms with zero Capacitance but when I really balance the response against my trusty 50 year-old Rita Coolidge album 'Good Old Days'.....I think the 15K/430pF sounds quite well in my system 🤗
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