Turntable got absolutely crushed by CD


Long story short, i've just brought home a VPI classic 1 mounted with a Zu-Denon DL103 on JMW Memorial 10.5 with the appropriate heavier counterweight. Had everything dialed in..perfect azimuth, VTF, overhang, with only a slightly higher than perfect VTA. Levelling checked. All good. 

I did a comparison between the VPI and my Esoteric X03SE and it's not even close. The Esoteric completely crushes the VPI in all regards. The level of treble refinement, air, decay, soundstage depth and width, seperation, tonality, overall coherence is just a simply a league above from what I'm hearing from the VPI. The only area the VPI seems to be better at is bass weight, but not by much. 

I'm honestly quite dumbfounded here. I've always believed that analogue should be superior to digital. I know the Esoteric is a much pricier item but the VPI classic is supposed to be a very good turntable and shouldn't be a slouch either. At this point I feel like I should give up on analogue playback and invest further in digital. 

Has anyone had a similar experience comparing the best of digital to a very good analogue setup?

Equipment:
Esoteric X03SE 
VPI Classic, JMW Memorial 10.5, Zu-DL103
Accuphase C200L
Accuphase P600
AR 90 speakers

Test Record/CD:
Sarah McLachlan - Surfacing (Redbook vs MOV 180g reissue)



chadsort
I agree with spatialking that mono LPs can be breathtakingly great sounding (I have many jazz LPs that prove that), I also despair at the inferior sound of many LPs, especially minor labels who cheaped out on the vinyl and/or mastering or major labels such as Columbia classical.  I have many of those inferior sounding LPs remastered on CD and they can be awesome.   Some examples are the Mitropolous Prokofiev Romeo and Juliet (2 original and 1 Odyssey LPs).  Then an early CD which sounded just as murky as the LPs.  Then, the recent remastering-fantastic audiophile sound.   How about not great sounding, noisy Ramsey Lewis Down to Earth on Mercury.  3 LPs with different labels/pressings are okay.  The Mercury CD release is out of this world great.  On the other hand, many of my Decca CDs are inferior sounding to the original LPs.  So it hit and miss on both formats.  I wouldn't want to be without either. 

As to millercarbon's post-my 2000 analog set up was a VPI 19-4 with an SME IV arm and Lyra Lydian cartridge.  It killed every CD player I heard by a mile.  I hated CDs until I got the EAR Acute in 2006.  Then I fell in love with it as much as my 2006 purchase of a VPI TNT VI, same arm and Benz Ruby 3 cartridge.  So, yes a cheap LP set up can conquer a cheap CD player with low end ancillary equipment.  My suggestion is to try out some very good used CD players and see how great they can sound (a used Acute sells for $2000).  CD players have come a long way towards sounding like great analog.
@fleschler - Actually, that LP was recorded in stereo.  Very early stereo but indeed stereo.
Which LP are you talking about the Ramsey Lewis or the Mitropolous?  Both are stereo, great stereo at that on CD.  Stereo Columbia orchestral recordings are particularly peculiar sounding, bright and thin relative to Living Stereo, Living Presence and Decca Stereo.  The more recent remastered Sony Columbias can be superb-it's all on the tape and finally revealed via the CD.
It is a Reference Recordings LP, RR-7, 45 RPM, "Professor Johnson's Astounding Sound Show"  All the tracks are excellent, the track I mentioned above is 3rd cut on Side 1.  I don't know if this was ever put on CD.  If so, I'd buy it!