Perfect Path Technologies: Omega E mat

Not listening, but working, the past four days--the new Omega mats have further linked with the components.  Al Stewart's "Modern Times" and "Year of the Cat", both lush productions by Alan Parsons, including orchestral arrangements, are velvety smooth and rich in inner detail. A double-album CD by "Friday Music", 'Original Master Recordings'.  This is one '70's recording that came out very well many years later on digital, and are so well presented through the signal protection of the Omega E mats.  

As the Omega mats continue to refine the sound, I cannot find a CD I don't like.  New sounds are appearing for the first time, like stars in the night sky, previously hidden by city lights. There's a Milky Way of sound density being revealed, free of RFI pollution.  

^^^ 

Like you, jafreeman, I'm finding previously hidden information in my recordings. I've been trying to cull my record collection a bit, in an attempt to get rid of duplicates, excessively noisy copies, and bad sounding ones. This means that I have to listen to a couple or a few cuts of each album. With the Omega E Mats, combined with the Total Contact throughout the system, its striking how much information has been contained and hidden in those grooves. It makes the culling job actually enjoyable. 

Frank

Bob James' '78 classic, "Touchdown" just became three dimensional on red book.  It was good before Omega E mats--now it comes right out into the room.