How important is it for you to attain a holographic image?


I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems?  Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases.  Indeed, is it possible to always achieve it?

128x128Ag insider logo xs@2xrvpiano
@orpheus10 So you are saying that great soundstage is the end product of what everyone is after in regard to hi-fi audio? That seems odd....since not everyone here agrees with you. Maybe they should have their high end audiophile cards revoked.

But then I guess there is the possibility that some of us.....maybe even me.....have great "holographic soundstage" and just don't get all that excited about it? 

Nah.

Chris, you can tell by the responses that since they've never heard it, and never had it; they really don't know what it is.

We can talk about an elephant all day long, but until you have actually seen one up close and personal, you only have a vague concept of what an elephant is.
orpheus 10,

 Why would I have started this thread if I hadn’t experienced holography?
That doesn’t make sense.
I’m sure you have strived hard to achieve it.
You just can’t accept the fact that it isn’t the holy grail to a lot of people

Without a shadow of a doubt, the most desirable aspect of high end audio is "The Holographic sound stage", and we see here, so many people don't want it. "Talk about the fox and the grapes"; this is the best example I have ever witnessed.

Rvpiano, why would you think I was speaking to you? I didn't address you specifically.

You can not achieve anything from a record if it's not there; if you do, there is something wrong with your record player.

Realism is not oversold, but it is very hard to achieve; however, here we have more green grapes.

Erik-squires; "1. Smooth FR. One that does not call attention to itself, but feels effortless in dynamic range and endless to the edges in the bass and the treble.

2. Transparency. To me, what I mean is the aural equivalent of standing on a mountain top, and realizing you can see for miles farther than you ever could."

Do you realize that it is impossible not to have these things, and at the same time to have "holography".

Everything everybody mentioned that is more important to them than "Holography" is included in holography; that is, unless you want exaggerated bass, or exaggerated dynamic range, that's not included in holography; only what is on the CD or tape, or record is included in holography.

Maybe this link will help those who have never experienced holography, to understand it.


        https://en.wikipedia.org/wiki/Stereoscope


A "stereo image" is recorded in audio, exactly the same as this visual image; when it's done right, a visual image of the audio will be displayed; if and only "if" you have a room that will precisely reflect audio in a manner that can recreate the recorded image. If, and only if, your audio equipment can recreate every detail that is on the recorded medium, like a Zeiss lens can recreate the image of a picture that is taken.

Since the "holographic image" includes every minute detail that is on the recorded medium, nothing in high end audio is more desirable.