I've heard many audio systems which had tons of air, ambiance and 3D holographic sound. The best were monitor size speakers and one or two way implementation. There was one in an Einstein equiped room that had the recording sound like it had 50' in back of it, pinpoint imaging while the actual room was only about 8' deep behind the speakers. They were spectacular for that purpose. HOWEVER, in my large audio room, there would be missing dynamics and bass. Exactly why I don't own stats any longer. Large. expensive speakers with the 3D holographic imaging tended to have music which I will not listen to, simple vocals of Barber and Krall, simple jazz or rock with a bass, drums and guitar (rarely a piano in site-too demanding to reproduce correctly). We just have to agree to disagree.
How important is it for you to attain a holographic image?
I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems? Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
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- 332 posts total
- 332 posts total