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FR64 cartridge suggestions

Been out of the loop for quite a few years due to some 'life' events, with system in storage.

I have been able to pull my system from storage, and last year worked enough overtime to upgrade or purchase new equipment, but I have not upgraded my turntable/tonearm/cartridge yet.

My turntable is a Technics SL1000 MKII which for those not familiar, is the Technics SP10 MKII turntable mounted on a factory plinth.
I have two Technics B-500 bases with an 'E' armwand and 'H' armwand that I don't use.
The tonearm I do use is a Fidelity Research FR64, so I need a low compliance cartridge.
The cartridge I used last is a vintage Fidelity Research FR-1 MK3 F, which needs to be re-tipped, and I will do so once I get a replacement.

The rest of the system includes:

Zesto 1.2 Andros tube phono stage
Zesto 1.5 tube preamp
Quicksilver V4 tube amps (new KT150 version)
Green Mountain Audio Continuum 3 speakers
JL Audio 113 Fathom subwoofers (pair)

Curious what cartridges other high mass tonearm owners are using, especially those who use Fidelity Research FR64/66 tonearms.

Looking for cartridges under $2000 USD at most.. probably should spend half that.

I have over 20K records, so I am very anxious to get this back into service.

Really curious about suggestions and thanks in advance.



128x128Ag insider logo xs@2xrich121
nandric's avatar
nandric
4,086 posts
 

Solypsa, ''Those damn details'' (grin). My theory was that the

(cut) thread on the screw was the ''guilty party'' but it is ''your

very tip on the screw'' . Aka ''the nose'' on the screw. Considering

the fact that only few complained about its dimensions this

imply that they are not equal. Some are smaller then the other.

This is an huge error for an ''exact replica ''.

solypsa's avatar
solypsa
462 posts
 
Yes it needs to be machined to very exact tolerances...or many extra made and then hand selected for 'fit'.
rich121's avatar
Ag insider logo xs@2x
rich121 OP
187 posts
 
Another question.....

I have both the FR64 and FR64S

The FR64 has a round disc shaped 'Lateral Balance' weight, which is smaller in size/mass (and different) than the long cylinder shaped Lateral Balance weight used on the FR64S.

Because of this and other differences, does the FR64 have significantly less Effective Mass than the 35 grams of the FR64S?

I have sent the FR64S to Ikeda for rebuild and silver internal wire replacement.
Would the FR64 have near equal performance as the FR64S, but with the ability, if it does have less Effective Mass, to work better with cartridges of slightly higher compliance?
If so, I will have the same rebuild done to it.

I have recently purchased the SoundSmith Sussurro II ( 10μm/mN compliance) and just got back my FR-1 MK3 F from SoundSmith which had ruby cantilever/retip and last week sent them my FR MC201 to have the same done, they are both also 10um/mN compliance.

Would the FR64 be a better match for these cartridges than the FR64S?
chakster's avatar
chakster
6,144 posts
 
Do you have both counterweight of the different mass for your FR tonearms or they are all have the same big and heavy counterweight ? 

If the compliance is 10μm/mN @ 10Hz then it's fairly low conpliance and heavy mass is what you need. But if the compliance measured at 100 Hz then your cartridge is twice as much in compliance. So you have to ask them to make sure! 

Actually i'm surprised if the SoundSmith cartridges have such a low compliance as 10cu ... (it's a bit old fashioned for a modern cartridge designer). Not sure how heavy is your headshell to balance with the tonearm counterweight. 

BTW: How did you sent then to Ideda Sound Lab ? Do you have direct contact ? 
lewm
13,298 posts
 
Nandric knows this through my personal communication with him, but after I stated that my B60 was functioning perfectly, I found out two things about it: first, mine also can move back-and-forth a few millimeters in the horizontal direction, but thankfully it is tight and stable in the vertical direction, at least. Second, therefore I also need a new set screw. In reading the latest posts on this subject, I am thinking that I know a very fine machinist who has an audiophile bent. This is Colby Lang whom some of you may also know. He lives in Oregon. It may require me to send my B60 to Colby so he can make a perfect screw, if you pardon the expression, but I am willing to do that. First, I will contact Colby and see whether he is interested in this little project. Meantime, if you guys tell me whether you do or don’t want such a screw I can probably get a group price from Colby. He doesn’t work for free.
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