Nottingham Spacedeck vs Rega Planar 8 vs Technics SL1200G


Hey Everyone,

An analogue newbie needs your advice.

Firstly I am not looking for any TT recommendations other than these 3.

My system is Devore O96, and the amplification would be either Lyngdorf 3400/Coincident Frankenstein combo or a Shindo pre/amp combo (forthcoming). The phono stage is TBD.

The sound I like is rich, full-bodied, with a good bass (I love percussion, and the double-bass instrument and  Mingus is my fav jazz artist). I am very sensitive to even a hint of brightness. I don't care about the typical audiophile presentation -- gobs of detail and soundstage but no soul.

My music of choice is jazz, vocals and small-scale instrumentals. No rock, no pop, no western classical.

Would love your thoughts on these 3 choices.

Since I am a newbie, easy setup is big win, which might tilt me towards the Rega or Technics, but with Nottingham I have a great dealer support that I would completely miss out on if I went with Technics (no Technics dealer in a 5000 mile radius).

I used to own a Rega RP6, so am familiar with Rega sound, and like it. But my RP6 was bested by my DAC (AMR DP-777) so sold it a few years ago. So I want a TT that will compete with any sub-10000$ DAC.

Looking forward to your thoughts that will help me scratch my analog itch.


essrand
@atmasphere 

Interesting test, Ralph. Just did it with two test LP's.

The first was a 20-20K sweep on a highly dished test LP. The sound was audible with no amplification from the seating position.

But, with the Analogue Productions test LP, in new condition, bands 6 and 7 generated almost no audible sound, peaking at about 400Hz (Side 1, band 6 is 1K to 20K sweep, band 7 is 1K to 20). This would appear to indicate a good coupling between the record and platter.

But the upper platter is isomolded graphite (GM-10), with a listed hardness of 65psi. This would seem to be notably harder than the vinyl used in LP's - but my interpretation of the data I could find, may be wrong.

What are your views?
I take it you were not able to do distortion tests also?
The 400Hz peak seems to suggest that the platter pad is reflecting energy around that frequency. But on one test I would be hesitant to call it good- can you test other platter pads?
People understand. Record mat is also a tuning mat, which means that there is no one universal solution for any set-up and preference. As for the physics of platter/mat/record/cartridge interaction, it is so complex that even highly qualified mechanical engineers might struggle. And then there are ears and brains that are the most qualified of all.
I’ve heard the nag 500 on a Clearaudio Concept and if memory serves it was very nice.