Everything is relative. Obviously, whether a record or CD is in correct overall Polarity - which is what I’m referring to - depends on the mastering engineer, who cannot change whatever damage was produced by the recording engineer in terms of Polarity, or phase as you call it, which are the issues you referred to. There is no standard for Polarity or even Absolute Polarity. The best strategy for coping with the ubiquitous OOP records and CDs might be to ensure your system is in Reverse Absolute Polarity.
How important is it for you to attain a holographic image?
I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems? Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
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- 332 posts total
- 332 posts total