@nonoise
@teajay
I’m stubborn to back down from my position as there are countless human trials showing that my position is valid. All your comments are dealing with what you believe or have experienced, which is invalid unless these comparisons between products were done double-blind, level matched, switched within ~10sec (humans can’t accurately remember sound past that point), etc. Many people believe digital audio is in stair steps and thus doesn’t accurately represent recorded music, that doesn’t make them right.
Don’t you think it’s odd how Revel, KEF, Magico, Focal, Sonus Faber, PSB, GoldenEar, Vivid Audio, Monitor Audio, Tekton, Dali, etc. all aim for measured idealness (transparent), and pretty much all solid state amplifier companies try to do the same as well? Whereas B&W and Wilson tune for their own house sound and their reviews are divisive (10kHz peaks for B&W aren’t as audible if you are >50)?
Answer me this, if you had a recording of a piano, are you saying you want some keys drastically different in volume than other keys? I want to hear my music, not my speakers nor my room (not anechoic of course, but to be within recommended reverb times), that’s also why I also use DSP to tame room modes mainly in the bass (as bass traps take up a lot of room and cost quite a pretty penny).
If you feel I’m wrong, I welcome useful discussion. I’ve been proven wrong on some things I’ve believed before and welcome further learning. If one believes one solis state DAC can sound lifeless and another can have some more midbass slam, I’d like to be shown that that’s indeed the case, saying silver cables sound different than copper is also just wrong, silver is only better as it’s a better conductor, but a thicker gauge copper can easily have the same results for cheaper.