@cd318
Sadly this idea of a high priority on performance vis a vis recording is not usually the case. Most sound stages are awful and the ones which have some dedicated acoustic treatment are, with some very rare exceptions, mediocre at best. And because most film people have a marked predisposition toward the visual the sound departments generally get very short shrift. In fact in order of importance they most often sit somewhere between craft services and the janitorial staff .
And in situations where usable sound cannot be gotten off the floor, which is often the case given the sad state of sound stages, looping is used to fix it after the fact. Thus looping is unfortunately a much overused bandage that in almost all cases does not do the in frame performances any favours, in fact quite the opposite. And btw most editing suites have acoustics that are worse than the average living room.
I imagine Film and TV studios would place a high priority on performance and reliability simply because of the huge recording and production costs. Time is big money indeed, and unreliable products get very short shrift
Sadly this idea of a high priority on performance vis a vis recording is not usually the case. Most sound stages are awful and the ones which have some dedicated acoustic treatment are, with some very rare exceptions, mediocre at best. And because most film people have a marked predisposition toward the visual the sound departments generally get very short shrift. In fact in order of importance they most often sit somewhere between craft services and the janitorial staff .
And in situations where usable sound cannot be gotten off the floor, which is often the case given the sad state of sound stages, looping is used to fix it after the fact. Thus looping is unfortunately a much overused bandage that in almost all cases does not do the in frame performances any favours, in fact quite the opposite. And btw most editing suites have acoustics that are worse than the average living room.