Decca London Super Gold Compatibility Question


Can someone tell me what happens when you use the Deccas with the wrong arm? Is it a tracking issue or will it just not sound good? I tried it with my SME M2-12R with a Yamamoto wood headshell and the results were not great. Hoping it's just compatibility and not something wrong with the Decca.
dhcod
The horizontal and vertical compliance differences presented by the London Decca cartridges necessitate the use of a "stiff" tonearm.  Adding weight to the headshell and increasing the counterbalance weight of a tonearm will not compensate for a resonance compliance mismatch and, in fact, can make it worse.  Not all stiff tonearms are heavy and not all heavy tonearms are stiff (although most are).

Think of it this way: a PVC pipe is lighter and "less stiff" than an aluminum pipe of equal size, and an aluminum pipe is less stiff than a steel pipe of equal size.  A carbon fibre pipe of equal size would likely to be stiffer and lighter than the PVC pipe; especially if the carbon fibres were aligned down the length of the pipe and not wrapped circumferentially.

Adding weight to each end of the PVC pipe won't make it  any more stiff.  But the added weight, outboard of the fulcrum (pivot point) will almost always increase the resonance amplitude as they swing around the axis.

Interesting. Yet because the tube in question is not PVC, the added weight worked. Perhaps because the added mass is harder to excite allowing the stylus to move without wasting energy vibrating a lighter tube. Even if that tube was stiff.

As stiff an armtube as possible benefits ALL cartridges, but the Decca/Londons, having no rubber damping suspension (and no traditional cantilever; the stylus is attached to a V-shaped metal plate, which goes straight up into the cartridge) benefit most of all. The D/L’s transmit a LOT of mechanical energy into the arm, exacerbating any armtube flex and/or bearing "rattle" present in any given arm. The Zeta is known specifically for its’ strengths in those two criteria.

The front-end damping provided by the Townshend Rock is exactly what makes that table so appropriate for use with Decca/Londons. A damped arm has long been recommended for use with the cartridge, and I have had a few; the Decca International, the Mayware Formula 4, and a modified (with damped bearings) SME 3009 Improved. The Rock makes a damped arm unnecessary (and in fact the front-end damping afforded by that table is a better way to damp than applying it at the back end of the arm), allowing armtube stiffness and superior bearing design & build to be prioritized. The Rock comes with a metal arm mounting plate drilled for the Linn/Zeta arms, which share the same pivot-to-stylus distance. The plate even has the six holes required by the Zeta’s arm mounting collar---very handy. I added a layer of thick acrylic under the metal plate, as that plate is a little too ’lively" for my liking. Yes, I believe in damping resonances!