I have a Pass 250.8 + SimAudio 740P preamp combo which I really like. About a year ago I changed speakers (switched from Magico to Spendor) and the 250.8 was chosen as it mated very well with the Magicos (e.g. lots of power and a little warm sounding). Over the last summer the heat the 250.8 puts out into my listening room (with no AC) was getting me down so I thought about swapping amps since the Spendor D9s I now own are easy to drive and not as lean sounding as the Magicos. I figured I could maybe save some $$$ and not have to deal with the excessive heat the big Pass puts out. The Bryston 4B3 was my first choice to try as it is very well reviewed, bulletproof, and I'm a previous Bryston owner of multiple pieces and a big fan.
I purchased a used 4B3 and dropped it into my home system after disconnecting the 250.8. It was everything I read about, great bass, fast, smooth, very revealing. Compared to the Pass I found it had a more forward and detailed sound, but it was still smooth and not bright. Just a different perspective. With my D9s I think it even had better bass then the 250.8. Side to side soundstage was about the same.
Where I found the 250.8 beat it to my ears and tastes was in the front to back soundstage and the feeling that the instruments and people were more real or 3D like in my listening room. The 4B3 sounded like an amazing 2D ultra detailed recording, the 250.8 sounded like the real thing because of the extra space and depth in and around all of the sounds. I ended up keeping the 250.8; in my system its output with good recordings just sound so much like live music (maybe a handful of rows back though).
Good luck with your search...
I purchased a used 4B3 and dropped it into my home system after disconnecting the 250.8. It was everything I read about, great bass, fast, smooth, very revealing. Compared to the Pass I found it had a more forward and detailed sound, but it was still smooth and not bright. Just a different perspective. With my D9s I think it even had better bass then the 250.8. Side to side soundstage was about the same.
Where I found the 250.8 beat it to my ears and tastes was in the front to back soundstage and the feeling that the instruments and people were more real or 3D like in my listening room. The 4B3 sounded like an amazing 2D ultra detailed recording, the 250.8 sounded like the real thing because of the extra space and depth in and around all of the sounds. I ended up keeping the 250.8; in my system its output with good recordings just sound so much like live music (maybe a handful of rows back though).
Good luck with your search...