All that we are talking about with horns is mechanical amplification. As with electronic amplification, it can be good or bad, clear or distorted. Would you condemn all amplifiers as honky, distorted or shrill just because you heard one that deserves that description?
In many respects horns are in their infancy. I believe that many of the objections, particularly size and price, can be mitigated by motivated entrepreneurial experimentation and careful research. This being done on a small somewhat random and utterly uncooperative scale by isolated hobbyist/inventor types. A few, like Bill Woods, have made it their life work. Perhaps, if serious efforts were made by established firms like Klipsch and JBL
we would see real progress in this area. However, what is to motivate them if we continue to tell them we want poor sounding, slim compromised sculptures? If we can emerge from our self-imposed darkness and begin to learn about the potential hidden promise of horns, then there is no telling where it might lead us.
In many respects horns are in their infancy. I believe that many of the objections, particularly size and price, can be mitigated by motivated entrepreneurial experimentation and careful research. This being done on a small somewhat random and utterly uncooperative scale by isolated hobbyist/inventor types. A few, like Bill Woods, have made it their life work. Perhaps, if serious efforts were made by established firms like Klipsch and JBL
we would see real progress in this area. However, what is to motivate them if we continue to tell them we want poor sounding, slim compromised sculptures? If we can emerge from our self-imposed darkness and begin to learn about the potential hidden promise of horns, then there is no telling where it might lead us.