Dear @prof 1 : You but not really " read " because this is my first sentence I posted to you:
""" Good that first of all you are a music lover. """
Second, you just does not read because like @fleschler I normally seat at around 10 row.
Near field experiences is exactly that: experiences and is what the micro pick up and I'm talking of recording in general not specific to classical venues that even here I own recordings with no ambience mics but only two and even one at near field position and in solo piano even inside the piano.
If you own some of the 3 blibd mice recordings you will read and see the mics diagram position that are almost inside eaxch instrument and with no ambience mics. The home audio system experience is an " illusion " and take that word literally.
One thing is what flesher says why he listen normally at 10 row like me and other different thing what the mics pick up..
Yes seated at 10 row things are way different and I already explained on my posts.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
""" Good that first of all you are a music lover. """
Second, you just does not read because like @fleschler I normally seat at around 10 row.
Near field experiences is exactly that: experiences and is what the micro pick up and I'm talking of recording in general not specific to classical venues that even here I own recordings with no ambience mics but only two and even one at near field position and in solo piano even inside the piano.
If you own some of the 3 blibd mice recordings you will read and see the mics diagram position that are almost inside eaxch instrument and with no ambience mics. The home audio system experience is an " illusion " and take that word literally.
One thing is what flesher says why he listen normally at 10 row like me and other different thing what the mics pick up..
Yes seated at 10 row things are way different and I already explained on my posts.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.