Like many other things in audio, its all in the execution. But there is also an 'ignorance is bliss' thing that seems to play out. I've not heard Herman's system so it may well be me who is ignorant.
One objection I've always had to generic electronic crossovers is that they don't allow any tweaking of the curves to accommodate the sort of nuances that Duke has been mentioning. Almost any serious passive crossover you see has tweaks in it to manage idiosyncrasies of the particular drivers in use.
So Herman, why do you use the DSP? Are you bi-amplifying?
One objection I've always had to generic electronic crossovers is that they don't allow any tweaking of the curves to accommodate the sort of nuances that Duke has been mentioning. Almost any serious passive crossover you see has tweaks in it to manage idiosyncrasies of the particular drivers in use.
So Herman, why do you use the DSP? Are you bi-amplifying?