The coherent sound is essential in audio. This is why I will use conservatorium students during my presentations. I want to show and prove that we create the sound as it sounds in real.
The biggest problem in audio is that most products cannot reveal all the aspects of sound. Due to the fact that these products do not own these aspects/properties. And what is missing never can be heard.
When you do audio by trial and error, it is almost impossible to create an ultimate sound what owns all the aspects of sound. Because you never can look back to understand why the sound and stage is what you can hear. You need to be able to extract the full DNA of each individual part in your system.
When you do not understand sound and music it will never be possible to understand audio at all. When I ask people what the aspects are of sound. They have no idea. When I ask them how our emotion works during listening to music again they have no idea. Even when I ask them on which aspects they judge and choose their system they have no idea.
You can never understand and guide audio when you cannot think and work by the properties of sound. People also have no idea how big the influence is of the acoustics in a room. The same counts for the influence of electro-smog, high-frequency noise, and magnetism. Even the last parts limit the level in the layering of dacs and digital sources.
The biggest problem in audio is that most products cannot reveal all the aspects of sound. Due to the fact that these products do not own these aspects/properties. And what is missing never can be heard.
When you do audio by trial and error, it is almost impossible to create an ultimate sound what owns all the aspects of sound. Because you never can look back to understand why the sound and stage is what you can hear. You need to be able to extract the full DNA of each individual part in your system.
When you do not understand sound and music it will never be possible to understand audio at all. When I ask people what the aspects are of sound. They have no idea. When I ask them how our emotion works during listening to music again they have no idea. Even when I ask them on which aspects they judge and choose their system they have no idea.
You can never understand and guide audio when you cannot think and work by the properties of sound. People also have no idea how big the influence is of the acoustics in a room. The same counts for the influence of electro-smog, high-frequency noise, and magnetism. Even the last parts limit the level in the layering of dacs and digital sources.