High resolution digital is dead. The best DAC's killed it.


Something that came as a surprise to me is how good DAC's have gotten over the past 5-10 years.

Before then, there was a consistent, marked improvement going from Redbook (44.1/16) to 96/24 or higher.

The modern DAC, the best of them, no longer do this. The Redbook playback is so good high resolution is almost not needed. Anyone else notice this?
erik_squires
JAFANT,

I really love the older Mark Levinson 300 series stuff! My system consist of:

Mark Levinson No 32
Mark Levinson No 336
Mark Levinson No 31.5
Mark Levinson No 30.6
Transparent super, cabling.....
While it’s somewhat interesting that instruments can sometimes be in different polarities on the same track and that sometimes tracks can be in different polarities on the same recording what is most important is whether the recording’s Absolute Polarity is Correct or Inverted. Especially if it’s the entire label that’s Inverted! Hel-loo!

There isn’t much you can do about the former cases, since those errors were made during the recording session. However, the latter case of *Absolute Polarity* of a CD being right or wrong relative to a playback system that has been determined to be in correct Absolute Polarity (using a test CD). Either a Polarity switch or the patience to change + and - cables would work. The alternative way would be to make the playback system’s *Absolute Polarity* Inverted. Then, presumably at least according to George Louis, most CDs will sound correct Polarity wise.
Actually let me look for old threads on this, and then if not, let's have a group listening test.

See who cares, or thinks this is at all an earth moving issue.

Best,
E