Why not horns?


I've owned a lot of speakers over the years but I have never experienced anything like the midrange reproduction from my horns. With a frequency response of 300 Hz. up to 14 Khz. from a single distortionless driver, it seems like a no-brainer that everyone would want this performance. Why don't you use horns?
macrojack
Gawdbless, I philosophically disagree with you, as I don't believe it's reasonable to expect speakers to "enhance music". If a speaker accurately portrays a recording for better or worse, I think it very fair to blame the recording in some instances. If one needs to tamper with a recording to make it palatable, I think there are better devices with much more specific controls available to those that feel the need for such things, than speakers. One good example of a recording that that can sound a bit hard is Miles Davis' "Sketches of Spain".

I'm with Unsound on this one, except for the comment about Sketches of Spain. I have original vinyl on that and its got no harshness at all, so long as the system I am playing it on can track it. It *does* have a lot of energy...
Atmasphere, thanks. Not to belabour the point, but, I don't think "Sketches" is harsh, but it does sound as though the mike is right in front of the bell of the trumpet, hence hard. Truth be told my speakers are not too forgiving of such things. Interestingly enough, I consider the Threshold to excel in reproducing horns. Perhaps, it didn't transfer to digital disk too well? A bit of odd sound staging with this recording, deep and narrow. All in all, a bit unique, if not down right weird. Love the music though.
Weiseas, yes the very same as the reveiwers, although Mr Hughes has done a few modifications to his pair over the years that he has owned them.I have not done any mods to my pair.I believe he also uses the Townshend super tweeter with them.
06-28-10: Unsound
'Gawdbless, I philosophically disagree with you, as I don't believe it's reasonable to expect speakers to "enhance music". If a speaker accurately portrays a recording for better or worse, I think it very fair to blame the recording in some instances.'

Thats the difference between a really good speaker and an extremely average pair.
I mean, do you not want to hear every possible tiddly pom and nuance of every Instrument and vocals to die for when you play your music?
If not, you should have bought a $100 boom box instead and saved yourself a lot of money.
Seems like we have different views on the track you mention regarding hardness.
Gawdbless, I'm sorry, but I don't know what "pom" means. As for a speaker that can play every possible nuance of every instrument and vocals to die for (a bit over the top, wouldn't you say), well if a speaker is truly capable of such detail it will also demonstrate the warts on a recording. I've yet to hear a boom box capable of either. The Thiels certainly don't gloss over the subtleties. As for the financial advice and shopping help, I'll manage on my own, thank you very much.