Thanks inna for the tips. The Diablo is a demo unit the shop is getting from Gryphon, so presumably it should have some miles on it. Good point on avoiding power conditioning - I’ve seen stories of conditioning causing issues for the current-hungry Diablo at shows. While I was aware of this I am pretty sure the shop has conditioning built into the walls of their listening room. So I’ll have to ask how we can avoid this during my audition.
And yes, from what others say, it seems I would need to spend a lot more than the cost of a Diablo 300 to get equivalent or better performance from separates. That said, there is the issue of subjective taste. An example is with a lot of high end cables I find to be very impressive, but often there is one small thing that ruins it for me in terms of balance, being too warm/cold etc. I expect to recognize all the qualities of the Diablo that others mentioned after I test it on the weekend. But it doesn’t there won’t be that one thing that makes it not work for me. We’ll see. If the Diablo doesn’t work out, to be honest I’ll be happy with the 4B3 and will need to move my search to a suitable preamp that’s a bit more lively and has more drive and excitement vs the McIntosh C2500 that I tested the 4B3 with. The C2500 wasn’t bad at all, but I’m sure I could find a more involving preamp to go with the 4B3. Maybe Simaudio 740p Or AR Ref 6. Or even the Bryston BP-173, but it would need to be far superior to the terribly thin sounding BP-26. I couldn’t believe how the BP-26 came from the same company that made the excellent 4B3 to be honest.
And yes, from what others say, it seems I would need to spend a lot more than the cost of a Diablo 300 to get equivalent or better performance from separates. That said, there is the issue of subjective taste. An example is with a lot of high end cables I find to be very impressive, but often there is one small thing that ruins it for me in terms of balance, being too warm/cold etc. I expect to recognize all the qualities of the Diablo that others mentioned after I test it on the weekend. But it doesn’t there won’t be that one thing that makes it not work for me. We’ll see. If the Diablo doesn’t work out, to be honest I’ll be happy with the 4B3 and will need to move my search to a suitable preamp that’s a bit more lively and has more drive and excitement vs the McIntosh C2500 that I tested the 4B3 with. The C2500 wasn’t bad at all, but I’m sure I could find a more involving preamp to go with the 4B3. Maybe Simaudio 740p Or AR Ref 6. Or even the Bryston BP-173, but it would need to be far superior to the terribly thin sounding BP-26. I couldn’t believe how the BP-26 came from the same company that made the excellent 4B3 to be honest.