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Auditorium 23 SoloVox...

are they really sensitive to placement?

I've got the five year upgrade itch; plus I've got a new listening room configuration to deal with. My listening room "was" once a 15ft wall of mostly windows which allowed me to place speakers 4ft out from the wall or move them in and around the corners. The downside with that room (other than the big German Shepherd who dogged her post in front of one window): it was a huge open ceiling rectangle that continued onto the dinning and kitchen area, much like a big loft. Well the wife also had an itch and we remodeled (even though it was my money my opinion did not weight in). Suddenly I've been reduced to a near(er) field experience. I now have a 20ft or longer wall but there are entry doors on either end. The speakers can be no more than 2 ft. from the wall. My listening chair is about 8ft. from the speakers and I have another wall 2ft behind my head. So it's more intimate than before although the ceiling remains open and pitched.

So besides comments like you got screwed, I'm looking for advice to rectify the situation. Over the years I've worked my way through the Vandy line, Maggies and Merlins. Now I have a desire to move towards more efficient speakers.

I was very interested in the Audio Note HE model, but alas it prefers corners and I have none. Thus here I sit reading the Jules Coleman and Michael Lavorgna reviews wondering whether this SoloVox would work in my environment. Coleman didn't seem to have too much of an issue placing the speaker, but Lavorgna must have spent days moving his library from one wall to the other.

I'm very interest in anyone's trials and tribulations with the SoloVox, or any other efficient speaker that is less sensitive to placement. I'm also anxiously anticipating DeVore's two-way Orangutans. Thanks!
dpe
4musica44107
520 posts
 
Dpe - Glad to hear that the info you are getting has been helpful. For those who want a system for listening only to solo instrumental and small ensemble music, I am not aware of a better speaker than the SoloVox unless one makes the mega-bucks jump to the Shindo Latours.

I understand what you mean about rear-firing woofers. I have the Fidelio Encores (my first ever pair of speakers with rear-firing woofers) in a secondary system and it has taken a lot of time and effort to get them positioned to sound their best. I finally did and the result has been outstanding.

Now if I could just get my wife to go along with a house addition to accomodate a SoloVox-based system . . . . ;->

Good luck!
chashas1
596 posts
 
You also might want to talk to Don or Jonathan again if you haven't already. From all I've read from Keith Aschenbrenner and his PHY friend, the solovoxes were made for real listening rooms,ie. smallish rooms, like most european ones. It sounds like your room would be fine.
Getting a pair might be the hard part, can I say hen's teeth?
Good Luck...
aronsss
110 posts
 
My room is not much different from yours and I went with Tannoy Kensingtons and they can be close to the (rear wall). Call Stephen Mishoe at In Living Stereo who has them on display and Jonathan Halpern wo told me about them. I believe you will be very favorably impressed (and they are excellent on all types of music). I presume that Stephen will also have the new DeVore's soon too.
johnk's avatar
johnk
1,976 posts
 
PHY KM30 sag 12in is a better driver than any 8in phy why not look into loudspeakers using km30 sag or h30lb 15 and a PHY tweeter or ribbon from another. Also consider the SEAS-1 since designs for such are sealed airsuspention very easy to place. Open baffles bi-pole or dipoles can be more placement sensitive. And any PHY loudspeaker should be a OB design to some degree. Front horn systems might also be a option. As would a Tannoy
dpe OP
60 posts
 
Aronsss, yes I've heard the Tannoy Kensingtons and have very much enjoyed them. They are a bit too elegant for my living area and I prefer the look of the Glenair 15, although again like the SoloVax, I've never listen to these.
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