1. Music
The music I brought was part high-res and part Redbook CD rips (to FLAC), all things that I think sound good on all my own systems. More importantly, I know how they sound on other systems that I own or am auditioning. Finally, it’s all my kind of music. I think this is most of it.
- Brahms Trios - Vogt/Tetszlaff DSD
- Joey Alexander, Freedom Dance (HD flac)
- Ravel quartet- Sequoia String Quartet (redbook),
- Herbie Hancock - River (redbook)
- Bantock Celtic Symphonies (redbook - this piece has weird instrumentation, which makes for a fun listening test)
- Cool - Bill Charlap Trio (redbook)
- Brahms Viola Sonatas - Kim Kashkashian/Robert Levin ECM (redbook)
- Mahler songs of a Wayfarer - Jesus Schmidt & Cincinnati Symphony (Telarc, redbook)
- Mendelssohn String Quartets - Artemis Quartet (HD FLAC)
- Beethoven Symphonies - Karajan/Berlin (1963), DG high-res remastering (HD FLAC)
I don’t think they are particularly bright recordings as a group. All but the Charlap and Hancock recordings have great live-recorded information that allows you to hear instrument location. As we all know, location cues tend to be higher in frequency.
2. Sound impressions
My home system resided for 25 years in a room with a Steinway baby grand and frequent viola, cello, and quartet playing. I know well what those things sound like directly in front of me. I also used to do jazz gigs in my early twenties and attended Berklee College of Music. I also think I know what a big band and small ensemble sound like. Beyond that, I make no ’golden ear’ claims.
On the speakers, the word "bright" can mean different things to different people, and my ears are only a reference for my own wallet. Frankly, I struggle with the terminology people use for speakers. "Imaging" I understand, but when people start talking about "rhythm" the musician in me wants to scream BS. So we can always disagree on one of these loose adjectives.
However, I think the three separate bench tests available on line factually establish that the Paradigms would *all else equal* have a treble boost up to 5db, +/- 15 degrees to head on, compared to many other speakers. It very neatly explains what I heard, and with three separate tests confirming this sizable bump, I accept this as factual, or as close as we are going to get.
Of course, "all else" is almost never equal, which, like a high-spirited romantic partner, is both frustrating and enchanting.
I reiterate my gratitude to Dave for letting me audition. It may take more time, but I have a day job that pays for my habit! And it may be that I need an in-home audition of some things.
