“The Heart wants what it wants - or else it does not care”
Emily Dickinson
Emily Dickinson
A DAC that can make digital sound analog?
brettmcee This was an interesting shootout, and the winner, also the most analogue and smooth sounding. Was the oldest one, a Theta DS Pro an old PCM63 R2R based dac. https://www.superbestaudiofriends.org/index.php?threads/4-dac-shootout-low-to-high-end.3049/ Cheers George |
@maplegrovemusic i now have reel to reel tape in my system. With this extra point of reference, now having heard vinyl, tape and digital, I can really hear ‘digital’ when I listen to it. depth of soundstage is compressed, the glass between me and ‘the event’ seems thicker and performers more pressed up agaianst it. glare cuts through at moments, glare also enlarges and distorts the scale of instruments. and there seems to be less contrast, less quiet, less space for me and my ears. It’s a bit like digital is shouting at all times (regardless of volume), like digital is an ‘all on’ proposition with no off. |
n80 ”The Heart wants what it wants - or else it does not care” Emily Dickinson Yes he hit the nail on the head. We hear what we want to hear. There are as many different signature sounds coming from different DAC designed chips, different DAC configurations, budget and older ones. Transports and AC supply can introduce noise and change the sound. Different manufacturers with philosophies and implementation which have altered approaches. Having said all that, we all like what WE ourselves like. Same with speakers, turntables, amps and preamps. Someone told me once that the pops and clicks on most albums can be eliminated, since quite often that sound does not come from scratches, but dirt and debris deep in the grooves of the album. A good deep cleaning can really clear that noise out, but how many analog audiophiles have the tools and take the time to do that? Perhaps some audiophiles like the sound of those pops and clicks on albums for nostalgic, sentimental or other reasons. We like what we like... |
depth of soundstage is compressed, the glass between me and ‘the event’ seems thicker and performers more pressed up agaianst it. glare cuts through at moments, glare also enlarges and distorts the scale of instruments....I suggest you use reference quality CDs for your evaluation. Chesky Records offers one for testing system performance. Or use a known high quality source recording; it should sound spacious and transparent. The fact that you experience glare on playback points toward the shortcomings of your DAC or DAC/transport. The other flaws you're hearing may also be attributed to the DAC. |