Differences between cd transports?

I believe @dobnbav is talking about much more than controlling jitter. As stated, the power supply, laser, etc. creates a sonic signature of the component. A poor design or low quality parts will pass this signature to the next component.

As long as data from CD is bit perfect the only thing that affects the sound is jitter.  Jitter, having many different forms (correlated, uncorrelated etc.), can produce many sound signatures.  D/A converter word clock's time variation (jitter) converts into many additional (very low level) frequencies on the analog side - basically a noise. Jitter can be produced by transport, by connecting cable or by the DAC itself.  DACs have ability to suppress jitter and all of them do, either by buffering combined with PLL or by Asynchronous Rate Converter (resampling data to D/A convert with new stable clock).

fred, the Oppo by a wide margin (like a torquie V8 it has a lot moe low end drive) versus a sweet turbo 4 cylinder. Keep i mind my 105 has a upgraded LPM (easy to install bought from ebay) PLUS the incoming wire rhodium IEC this makes a big difference too, but the toslink was hamstringing it.

According to Oppo tech the 105 cannot output SACD, unless your dac has I2Bus input. If not, SACD has to be played via the 105s direct outs to the amp using the variable volume control

hth.

There are quite a few variables that make comparing transports tricky. The spinning disc should be absolutely level during play. When switching transports connecting cables require settling time, maybe a day or two, before judgements regarding sound quality are made. Connecting cables are directional, if in the wrong direction the sound will suffer. Some transports may or may not handle scattered background laser light better than others.

Geoff, yes balancing is critical, especially when using your springs