Always overlooked and a complete underdog that few know about in this category - particularly if you’re into vinyl:
Anthem STR Integrated $4500;
200w x 2 into 8ohm, 400w x 2 into 4 ohm, and 550w x 2 into 2 ohm. Anthem Room Correction (can be turned on or off), Direct Analog Bypass, MM & MC Phono Stage with adjustable Rumble Filter/RIAA Curves 10Hz - 60Hz with Presets built in for Columbia, Capitol Records, and several others if you have a big pre-1975 album collection of a particular label - Can make "Virtual Inputs" and can assign the RIAA presets to an MM or MC virtual input created (up to 30 total). Do you want Room Correction engaged? Turn it on in an input. Don’t want it, turn it off in another input. Want subs to play with the system or not, assign them in the input. Tons of flexibility no other Integrated has and exceptional sound along with it.
Built-in DAC’s with Asynchronous USB which processes 32 bit 384kHz and 32 bit 192kHz on all other digital and analog connections.
Surround pass through and the ability to run two subs in stereo or mono where you can use Anthem Room Correction on those as well.
New ARC Genesis coming at the end of this month - first of next month - posted on the website. Please check it out at anthemav.com The Anthem requires about 300 hours of break-in on the preamp, and amp section, and per input for best sonic results.
The great thing is, the Integrated doesn’t know, or care, what type of music you’re playing - if the recording’s good, you’ll hear it. If the recording’s bad, you’ll hear that too.
I’ll be happy to set this right next to a Levinson 585 any time to compare and you can tell me how great the Anthem is for $7500 less - If the 585 was really worth $12k, they would sell for $12k and the used market wouldn’t be saturated with them selling so cheap - makes you question where the value is there...? I sold Levinson for a long time, so forgive me, I’m not trying to disparage that brand in any way, they make very fine equipment.
Thank you for reading.
